"After the Mexicanization of Colombian cumbia, now the Argentines are dancing to cumbia and making it their own! Troubling Gender combines a dynamic discursive and social analysis of the explicit sexual content of the lyrics of cumbia villera with a rich, ethnographic discussion of how the young men and women dancers (dis)identify with the lyrics while enjoying the danceable rhythms. The authors' examination of the gender and sexual dynamics that this music triggers among its fans reminds us that the gender wars in Latin America are not over, despite the increasing presence of sex in media and the public space." -Frances Aparicio, author of Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures "Troubling Genderis a groundbreaking book on the relationship between gender struggle in the context of changing opportunities for men and women and the representation of violence in the cumbia villera genre. This focus enables Vila and Seman to track quite expertly the transformation of social conflicts relating to work, urban life, and gender relations into the cultural field. The authors offer not only a rich sociological reflection on the negotiation of female autonomy in the context of popular music but also an interesting analysis of the lyrics of the genre. Troubling Gender also pays attention to the context within which the songs are played and emitted, something usually left aside in the sociology and anthropology of music." -George Yudice, author of The Expediency of Culture: Uses of Culture in the Global Era "Troubling Gender offers a nuanced interpretation of the envelope-pushing sexuality associated with cumbia villera, demonstrating how its young musicians and fans are imagining and performing their identities within an unstable socioeconomic context. This is an important book with a great deal to contribute to the literature on both gender relations and Latin American popular music and dance cultures, as well as to discussions of the impact of media and economic inequalities on young people's lives." -Deborah Pacini Hernandez, author of Oye Como Va! Hybridity and Identity in Latino Popular Music (Temple)