The Art of Life in South Africa
Daniel Magaziner
€ 108.92
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Description for The Art of Life in South Africa
Hardback. From 1952 to 1981, South Africa's apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. Series: New African Histories. Num Pages: 376 pages, illustrations. BIC Classification: 1HFM; 3JJP; ACX; HBTB; JNB; JPVR. Category: (G) General (US: Trade). Dimension: 6452 x 4522 x 28. Weight in Grams: 1293.
From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. It is the story of a community that made its way through the travails of white supremacist South Africa and demonstrates how the art students and teachers made together became the art of their lives.
Daniel Magaziner radically reframes apartheid-era South African history. ... Read more
Product Details
Format
Hardback
Publication date
2016
Publisher
Ohio University Press United States
Number of pages
376
Condition
New
Series
New African Histories
Number of Pages
376
Place of Publication
Athens, United States
ISBN
9780821422519
SKU
V9780821422519
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Daniel Magaziner
Daniel Magaziner teaches South African and nineteenth- and twentieth-century African history at Yale University. He is the author of The Law and the Prophets: Black Consciousness in South Africa, 1968–1977 and The Art of Life in South Africa.
Reviews for The Art of Life in South Africa
“Daniel Magaziner tells a profoundly human story of the institutional and social constraints under which African artists operated and the different ways in which they sought to find a way to produce beauty in the midst of oppression.” “Ultimately, Magaziner reflects that approaching the history of complex and compromised communities like Ndaleni through the overarching nationalist frame of the South ... Read more