
The Search for the Codex Cardona
Arnold Bauer
Bauer first saw the Codex Cardona in 1985 in the Crocker Nuclear Laboratory at the University of California, Davis, where scholars from Stanford and the University of California were attempting to establish its authenticity. Allowed to gently lift a few pages of this ancient treasure, Bauer was hooked. By 1986, the Codex had again disappeared from public view. Bauer’s curiosity about the Codex and its whereabouts led him down many forking paths—from California to Seville and Mexico City, to the Firestone Library in Princeton, to the Getty Museum in Los Angeles and Christie’s in New York—and it brought him in contact with an international cast of curators, agents, charlatans, and erudite book dealers. The Search for the Codex Cardona is a mystery that touches on issues of cultural patrimony, the workings of the rare books and manuscripts trade, the uncertainty of archives and evidence, and the ephemerality of the past and its remains.
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About Arnold Bauer
Reviews for The Search for the Codex Cardona
David J. Robinson
Journal of Latin American Geography
“The Search for the Codex Cardona is an amusing, informative, and novelistic scholarly book. It develops its topic rapidly with concise and short sentences, which makes it easy to read. This book could serve undergraduate students and lay readers as an introduction to Mexican painted books and graduate students and scholars as an introduction to the virtually unknown and now lost Codex Cardona, a possibly invaluable source of information about the Aztecs. In this sense, The Search for the Codex Cardona makes a unique contribution in that it focuses not on an available scholarly resource but on one that has never been available and that may no longer exist.”
Jongsoo Lee
The Latin Americanist
“[P]art mystery story, part fantasy and part history. . . . The book reads like a novel rather than a historical tract.”
Alan R. Sandstrom
Times Higher Education
“As in the best suspense novels, Bauer begins in the middle of the action. . . . His intriguingly conspiratorial tone enables the reader to be privy to his search for the answers to the scholarly riddles. . . . For readers who wish to learn about early contact-era Mexican painted manuscripts and how scholarly inquiry is conducted, this work has much to offer. It should also find a readership with those who like mystery mixed with their history and with readers who enjoy narratives on the search for lost rarities. . . .”
Library Journal
“In 1985, in a private room in the Crocker Laboratory at the University of California at Davis, Bauer glimpsed a priceless antiquity: the Codex Cardona, a book painted by an Aztec scribe only a few years after Cortés’s arrival. . . . Bauer . . . passes through shady middlemen and well-connected connoisseurs ('Here in Mexico we can falsify anything,' one assures Bauer) in his quest to locate and authenticate the book. The Codex disappears; but during his hunt Bauer manages to convey Mexico’s odd and powerful charisma.”
Benjamin Moser
Harper's Magazine
“One can sense the author’s fun in writing this work and his enjoyment in speculating on the countless explanations concerning ownership of the manuscript, its survival over the centuries, and its contemporary location. Veterans of archival work will particularly appreciate his attempts to discover more (or any) information about the numerous historical surprises within the Cardona. For other readers, however, the great merit of this book will be its struggle with the moral and ethical issues facing museums, libraries, and universities trying to build research collections and preserve records of the past. . . . For scholars of colonial Latin American history, what a story to enjoy ourselves and to present to our students to contemplate!”
James A. Lewis
Hispanic American Historical Review
“This book is a gripping tale of intrigue, contraband, covert operations, and a bit of conjecture. . . . In many ways it is a tale that many Latin American historians might dream of writing, about a chance encounter with a manuscript, a colorful character, or a hidden archive, but few of us ever do it. Bauer has.”
John F. Schwaller
The Americas