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Description for How Poetry Works
Paperback. Asserts that poetry, like music, is based on sound and so close attention should be paid to its rhythms and metrical patterns. This book illustrates the author's points with examples ranging from nursery rhymes and limericks to experimental forms as well as familiar pieces from over the centuries. Num Pages: 320 pages. BIC Classification: 2AB; DSA; DSC. Category: (G) General (US: Trade). Dimension: 197 x 129 x 21. Weight in Grams: 236.
In this refreshing and inspiring book, Phil Roberts asserts that poetry, like music, is based on sound and so close attention should be paid to its rhythms and metrical patterns. He illustrates his points with lively examples ranging from nursery rhymes and limericks to recent experimental forms as well as familiar pieces from over the centuries. The book concludes with a Millennium Anthology, a salute to the poetry of the past thousand years, including pieces from England, Ireland, Scotland and Wales, as well as Australia, Canada, New Zealand and the USA.
In this refreshing and inspiring book, Phil Roberts asserts that poetry, like music, is based on sound and so close attention should be paid to its rhythms and metrical patterns. He illustrates his points with lively examples ranging from nursery rhymes and limericks to recent experimental forms as well as familiar pieces from over the centuries. The book concludes with a Millennium Anthology, a salute to the poetry of the past thousand years, including pieces from England, Ireland, Scotland and Wales, as well as Australia, Canada, New Zealand and the USA.
Product Details
Format
Paperback
Publication date
2000
Publisher
Penguin Books Ltd
Condition
New
Number of Pages
320
Place of Publication
London, United Kingdom
ISBN
9780140285376
SKU
KTG0021016
Shipping Time
Usually ships in 2 to 4 working days
Ref
99-2
About Phil Roberts
Phil Roberts was born in Canada and educated there and in England. Apart from working as a writer, with over ten published books, he is also an active musician. He is an Associate of the Australian Conservatory of Music and also of the Royal Canadian College of Organists.
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