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The Night Watch: shortlisted for the Booker Prize
Sarah Waters
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Description for The Night Watch: shortlisted for the Booker Prize
paperback. Sarah Waters, the award-winning author of three novels set in Victorian London, returns with a stunning novel that marks a departure from the 19th century. Num Pages: 512 pages. BIC Classification: FA. Category: (G) General (US: Trade). Dimension: 198 x 128 x 34. Weight in Grams: 402.
Shortlisted for the Women's Prize for Fiction
Shortlisted for the Orange Prize and the Booker Prize
'Brilliantly done . . . the period detail never overwhelms the simple, passionate human story. It's a tour-de-force of hints, clues and dropped threads' Suzi Feay, Independent on Sunday
Moving back through the 1940s, through air raids, blacked out streets, illicit liaisons, sexual adventure, to end with its beginning in 1941, The Night Watch is the work of a truly brilliant and compelling storyteller.
This is the story of four Londoners - three women and a young man with a past, ... Read moredrawn with absolute truth and intimacy. Kay, who drove an ambulance during the war and lived life at full throttle, now dresses in mannish clothes and wanders the streets with a restless hunger, searching . . . Helen, clever, sweet, much-loved, harbours a painful secret . . . Viv, glamour girl, is stubbornly, even foolishly loyal, to her soldier lover . . . Duncan, an apparent innocent, has had his own demons to fight during the war. Their lives, and their secrets connect in sometimes startling ways. War leads to strange alliances . . .
Tender, tragic and beautifully poignant, set against the backdrop of feats of heroism both epic and ordinary, here is a novel of relationships that offers up subtle surprises and twists. The Night Watch is thrilling. A towering achievement.
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Product Details
Place of Publication
London, United Kingdom
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Usually ships in 5 to 9 working days
About Sarah Waters
Sarah Waters, who was born in Wales, has been described as 'one of the best storytellers alive today' (Matt Thorne, Independent), and there can be no doubt that readers and critics alike have been gripped by her extraordinary imagination. Sarah Waters' first novel, Tipping the Velvet, won a Betty Trask Award, and was shortlisted for the Mail on Sunday/John Llewellyn ... Read moreRhys Prize. Her next novel, Affinity, won the Somerset Maugham Award and the Sunday Times Young Writer of the Year Award while Fingersmith and The Night Watch were both shortlisted for the Man Booker Prize and the Orange Prize. The former also won the CWA Ellis Peters Dagger Award for Historical Crime Fiction and the South Bank Show Award for Literature. The Little Stranger was shortlisted for the Man Booker Prize in 2009 and The Paying Guests was shortlisted for the Baileys Prize in 2015. Tipping the Velvet, Affinity, Fingersmith and The Night Watch have all been adapted for television, The Little Stranger was adapted as a film by Lenny Abrahamson, and Fingersmith inspired Park Chan-wook's film, The Handmaiden. Sarah Waters has been named Author of the Year five times: by the British Book Awards, The Booksellers' Association, Waterstone's Booksellers, Glamour Magazine Awards and the Stonewall Awards. In 2019 she was awarded an OBE for services to literature. Show Less
Reviews for The Night Watch: shortlisted for the Booker Prize
A triumph... the topsy-turvy time scheme is an elegant and profound device which imbues much of the novel with a poignant dramatic irony and turns every incident, however humdrum, into a revelation that helps to illuminate how her characters became the people they are... [a] finely nuanced, wise and generous novel... Waters is an author to cherish, and this is ... Read moreprobably her finest achievement yet
Justine Jordan
Guardian
Sharply and compassionately observed, richly coloured and compelling to read
Independent
A truthful, lovely book that needs no conjuring tricks to make you want to read it again
Philip Hensher
Observer
Brilliantly done... the period detail never overwhelms the simple, passionate human story. It's a tour-de-force of hints, clues and dropped threads
Suzi Feay
Independent on Sunday
This outstandingly gifted novelist releases her imagination into her most compelling depiction yet
Peter Kemp
Sunday Times
She produces terrific narrative tension, whether in a mad ambulance ride through the bombs or in loving someone other than the one you're with
Daily Mail
Beautifully written, deeply moving and utterly engrossing
Elle
Burns with a slow but scorching intensity... Sarah Waters is a great writer
Mark Bostridge
Independent on Sunday
Waters' "bomb story" does not at all read like a piece of period fiction. It reads as utterly new and fresh and urgent, both in what it says and the way it says it. It's a work of great beauty and authority and sympathetic imagination
Jenny Turner
London Review of Books
The Night Watch leaves you with the sense of having read something rich and complex pared down with consummate skill by a first-class storyteller into a series of deceptively simple tales of love. Which is a fancy way of saying that Sarah Waters' latest offering lingers on, long after the final page and its first, most fateful meeting
Melanie McGrath
Evening Standard
The trick, as her fans have realised, is to relax, to let yourself be caught up in the current of her story and bob along breathless to the end
Mary Wakefield
Sunday Telegraph
A natural storyteller, Waters also has the most extraordinary ear, the writerly equivalent of perfect pitch
Time Out
A beautifully crafted novel. Full of subtle twists, this tender tale will delight Waters' many existing fans, while winning her a whole raft of new ones
Lianne Kolirin
Express
Four years after Fingersmith, Sarah Waters exchanges rustling petticoats for ration books in a slow-burning, masterly saga of the second world war
Guardian
The twist in The Night Watch is Waters' accomplished structure . . . Waters is an all-rounder, and this novel shows off her talents beautifully
Lucy Beresford
Literary Review
Lives come together, intertwine and unravel like a kind of war-effort knitting . . . On reaching the end of the novel, it is impossible not to start anxiously again at the beginning. But this neither helps nor comforts. The Night Watch stays bleakly in the mind long after its re-reading, underlining the growing authority of its author
Carol Ann Duffy
Daily Telegraph
Waters takes us back in time, gradually sifting through these lives like an archaeologist on a dig trying to reconstruct the past. It's a clever device, efficiently accomplished, intriguing the reader so that you find yourself turning the pages as if in a thriller, your mind racing to solve the puzzles that Waters has devised
Kate Chisholm
Spectator
Steeped in pungent, evocative detail and littered with sad little emotional truths, it's also impossible to put down
Claire Allfree
Metro
There is much to give any reader pure pleasure. The text is saturated in period detail: the ration books, the wireless, the black out, the ARPs, silk pyjamas, Max Factor inches thick, Bakelite light-bulb holders, wartime bureaucracy and typist pools. The dialogue is terrific
Patricia Duncker
New Statesman
Compelling... A writer whose talent for charting social and political intricacies is matched by her delicate feel for the nuances of erotic attachment... Waters's attention to detail is impressive, particularly when she's conveying the atmosphere of wartime London
New York Times
Flawless... A sophisticated, beautifully written novel
Washington Post
A wonderful novel... Waters is almost Dickensian in her wealth of description and depth of character
Chicago Tribune
Waters has the gift of story, the ability to dissolve the distance between reader and subject until nothing but experience remains
Los Angeles Times
Compelling... sexually and psychologically provocative
USA Today
Masterful
Seattle Times
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