Dickens and the Virtual City: Urban Perception and the Production of Social Space
. Ed(S): Murail, Estelle; Thornton, Sara
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Description for Dickens and the Virtual City: Urban Perception and the Production of Social Space
hardcover. Editor(s): Murail, Estelle; Thornton, Sara. Series: Palgrave Studies in Nineteenth-Century Writing and Culture. Num Pages: 20 black & white illustrations, biography. BIC Classification: 2AB; DSBF; DSK. Category: (G) General (US: Trade). Dimension: 210 x 148. .
This book explores the aesthetic practices used by Dickens to make the space which we have come to know as the Dickensian City. It concentrates on three very precise techniques for the production of social space (counter-mapping, overlaying and troping). The chapters show the scapes and writings which influenced him and the way he transformed them, packaged them and passed them on for future use. The city is shown to be an imagined or virtual world but with a serious aim for a serious game: Dickens sets up a workshop for the simulation of real societies and cities. This urban ... Read more
Show LessProduct Details
Format
Hardback
Publication date
2017
Publisher
Palgrave Macmillan Switzerland
Condition
New
Series
Palgrave Studies in Nineteenth-Century Writing and Culture
Number of Pages
295
Place of Publication
Cham, Switzerland
ISBN
9783319350851
SKU
V9783319350851
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About . Ed(S): Murail, Estelle; Thornton, Sara
Estelle Murail is Research Fellow in the LARCA research centre at the University of Paris Diderot, France. She also teaches at the at the Lycée Saint-Jean de Passy in Paris. She gained her jointly-supervised PhD in English Literature at the Université Paris Diderot and King’s College London. Her PhD examined the figure of the flâneur in London and Paris in ... Read more
Reviews for Dickens and the Virtual City: Urban Perception and the Production of Social Space
“It is a topic that has appealed to scholars and anyone fascinated by Britain’s world city, but also by the representation of urban experience as a phenomenon of modernity, as well as postmodernity.” (Efraim Sicher, Dickens Quarterly, Vol. 37 (1), March, 2020)