Le Fanu's Gothic
Victor Sage
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Description for Le Fanu's Gothic
Hardback. This study explores the relations between reader and text across the span of Sheridan Le Fanu's career, placing his early work of the 1830s in context. Victor Sage concentrates on the development in Le Fanu of hybrid forms, which mingle satire and comedy with Gothic horror. Num Pages: 241 pages, biography. BIC Classification: 2AB; DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 216 x 140 x 18. Weight in Grams: 408.
This new study seeks to explore the relations between reader and text across the span of Sheridan Le Fanu's career, placing his early work of the 1830s in context. Sage concentrates on the development in Le Fanu of hybrid forms, which mingle satire and comedy with Gothic horror, and also discusses the early work of Uncle Silas and Carmilla , giving space to the often neglected unpublished romances.
This new study seeks to explore the relations between reader and text across the span of Sheridan Le Fanu's career, placing his early work of the 1830s in context. Sage concentrates on the development in Le Fanu of hybrid forms, which mingle satire and comedy with Gothic horror, and also discusses the early work of Uncle Silas and Carmilla , giving space to the often neglected unpublished romances.
Product Details
Format
Hardback
Publication date
2003
Publisher
Palgrave Macmillan United Kingdom
Number of pages
241
Condition
New
Number of Pages
233
Place of Publication
Basingstoke, United Kingdom
ISBN
9780333677551
SKU
V9780333677551
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Victor Sage
VICTOR SAGE is Professor of English at the University of East Anglia, Norwich, UK. He is the author of Dividing Lines (short fiction); A Mirror For Larks and Black Shawl (novels). He has published widely on the Gothic tradition, and is the editor for Penguin Classic's of Maturin's Melmouth the Wanderer and Le Fanu's Uncle Silas.
Reviews for Le Fanu's Gothic
'Sage's book addresses Le Fanu, and the issues his texts raise, with panache: he brings to bear a profound historical knowledge, particularly of the all-important Irish dimension of Le Fanu's work, but also - and perhaps most strikingly - a keen awareness of narrative and rhetorical devices. I think I hardly need to say more: there is no other respectable ... Read more