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Light Shining in Buckinghamshire
Caryl Churchill
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Description for Light Shining in Buckinghamshire
Paperback. Caryl Churchill's Light Shining in Buckinghamshire, set during the English Civil War, tells the story of the men and women who went into battle for the soul of England. Passionate, moving and provocative, it speaks of the revolution we never had and the legacy it left behind. Num Pages: 80 pages. BIC Classification: DD. Category: (G) General (US: Trade). Dimension: 131 x 199 x 19. Weight in Grams: 100.
Caryl Churchill's Light Shining in Buckinghamshire, set during the English Civil War, tells the story of the men and women who went into battle for the soul of England. Passionate, moving and provocative, it speaks of the revolution we never had and the legacy it left behind.
In the aftermath of the Civil War, England stands at a crossroads. Food shortages, economic instability, and a corrupt political system threaten to plunge the country into darkness and despair.
The Parliament men who fought against the tyranny of the King now argue for stability and compromise, but the people are ... Read morehungry for change.
For a brief moment, a group of rebels, preachers, soldiers and dissenters dare to imagine an age of hope, a new Jerusalem in which freedom will be restored to the land.
Premiered by Joint Stock at the Traverse Theatre, Edinburgh, in September 1976 during the Edinburgh Festival Fringe, it toured the UK including the Royal Court Theatre, London, in 1976. The play was revived at the National Theatre, London, in 1996 and again in 2015, in a production directed by Lyndsey Turner.
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Product Details
Publisher
Nick Hern Books
Place of Publication
London, United Kingdom
Shipping Time
Usually ships in 4 to 8 working days
About Caryl Churchill
Caryl Churchill has written for the stage, television and radio. Her stage plays include Owners (Royal Court Theatre Upstairs, 1972); Objections to Sex and Violence (Royal Court, 1975); Light Shining in Buckinghamshire (Joint Stock on tour incl. Theatre Upstairs, 1976); Vinegar Tom (Monstrous Regiment on tour, incl. Half Moon and ICA, 1976); Traps (Theatre Upstairs , 1977); Cloud Nine (Joint ... Read moreStock on tour incl. Royal Court, London, 1979, then Theatre de Lys, New York, 1981); Three More Sleepless Nights (Soho Poly and Theatre Upstairs, 1980); Top Girls (Royal Court London, then Public Theater, New York, 1982); Fen (Joint Stock on tour, incl. Almeida and Royal Court, London, then Public Theatre, New York, 1983); Softcops (RSC at the Pit, 1984); A Mouthful of Birds with David Lan (Joint Stock on tour, incl. Royal Court, 1986); Serious Money (Royal Court and Wyndham’s, London, then Public Theater, New York, 1987); Icecream (Royal Court, 1989); Mad Forest (Central School of Speech and Drama, then Royal Court, 1990); Lives of the Great Poisoners with Orlando Gough and Ian Spink (Second Stride on tour, incl. Riverside Studios, London, 1991); The Skriker (Royal National Theatre, 1994); Thyestes translated from Seneca (Royal Court Theatre Upstairs, 1994); Hotel with Orlando Gough and Ian Spink (Second Stride on tour, incl. The Place, London, 1997); This is a Chair (London International Festival of Theatre at the Royal Court, 1997); Blue Heart (Joint Stock on tour, incl. Royal Court Theatre, 1997); Far Away (Royal Court Theatre Upstairs, 2000, and Albery, London, 2001, then New York Theatre Workshop, 2002); A Number (Royal Court Theatre Downstairs, 2002, then New York Theatre Workshop, 2004); A Dream Play after Strindberg (Royal National Theatre, 2005); Drunk Enough to Say I Love You? (Royal Court Theatre Upstairs, 2006, then Public Theater, New York, 2008); Bliss, translated from Olivier Choinière (Royal Court Theatre, 2008); Seven Jewish Children – a play for Gaza (Royal Court Theatre, 2009); Love and Information (Royal Court Theatre Downstairs, 2012); Ding Dong the Wicked (Royal Court Theatre Downstairs, 2012). Show Less
Reviews for Light Shining in Buckinghamshire
'Epic and astringent... the fevered spirit of the times, its sense of new-found, numinous possibility, is infectiously relayed'
Telegraph
'A fascinating play that presents a pivotal point in English history'
British Theatre Guide
'Dense and passionate... gripping radical theatre'
Financial Times