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14%OFFAndrew Marvell - Journeys to the Interior: Ideas of England in Contemporary Poetry (Newcastle/Bloodaxe Poetry) - 9781852249328 - V9781852249328
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Journeys to the Interior: Ideas of England in Contemporary Poetry (Newcastle/Bloodaxe Poetry)

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Description for Journeys to the Interior: Ideas of England in Contemporary Poetry (Newcastle/Bloodaxe Poetry) Paperback. Three lectures on contemporary British poets and their relationship with England, its history, politics and culture, and with the continuing tradition of English poetry. Num Pages: 62 pages. BIC Classification: 2AB; DSC. Category: (G) General (US: Trade). Dimension: 216 x 143 x 6. Weight in Grams: 112. Ideas of England in Contemporary Poetry: Newcastle/Bloodaxe Poetry Lectures. 62 pages. Three lectures on contemporary British poets and their relationship with England, its history, politics and culture, and with the continuing tradition of English poetry. Cateogry: (G) General (US: Trade). BIC Classification: 2AB; DSC. Dimension: 216 x 143 x 6. Weight: 112.
In this innovative series of public lectures at Newcastle University, leading contemporary poets speak about the craft and practice of poetry to audiences drawn from both the city and the university. The lectures are then published in book form by Bloodaxe, giving readers everywhere the opportunity to learn what the poets themselves think about their own subject. Where and what is the England in which we imagine we live? How do we authenticate this never-to-be-finished project? What are its imaginative origins, and how do contemporary poets stand in relation to those predecessors such as Eliot, Auden, Larkin and Hughes whose imaginary Englands have left such an imprint on the culture? Journeys to the Interior considers the work of a range of contemporary poets, including Peter Didsbury, Carol Ann Duffy, Paul Farley, Roy Fisher, Daljit Nagra, Jo Shapcott and George Szirtes, examining areas of dissent and signs of affirmation. Can England be seen as, in Langland's words, 'a fair field full of folk'? Is Englishness a matter of 'complicated shame', as Jo Shapcott put it? How do those born elsewhere who have made their homes here describe the experience of England? And if, as Auden said, 'all the poet can do is warn', what warning signs are poets receiving and transmitting in this period of doubt and anxiety?

Product Details

Publisher
Bloodaxe Books Ltd
Number of pages
62
Format
Paperback
Publication date
2012
Condition
New
Number of Pages
64
Place of Publication
Tyne and Wear, United Kingdom
ISBN
9781852249328
SKU
V9781852249328
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-99

About Andrew Marvell
Sean O'Brien has published ten books of poetry, including November (Picador 2011, PBS Choice) and The Drowned Book (Picador, 2007), winner of the T.S. Eliot and Forward Prizes, followed by Collected Poems (Picador, 2012), The Beautiful Librarians (PBS Choice, Picador, 2015), joint winner of the inaugural Roehampton Poetry Prize, the T.S. Eliot Prize-shortlisted Europa (Picador, 2018), and It Says Here (Picador, 2020). Bloodaxe published his first two collections, The Indoor Park (1983) and The Frighteners (1987), as well as his essays, The Deregulated Muse (1998), and later, his Newcastle-Bloodaxe Poetry Lectures, Journeys to the Interior: Ideas of England in contemporary poetry (2012). His anthology The Firebox: Poetry in Britain and Ireland after 1945 was published by Picador in 1998. His translation of the Inferno appeared in 2006, his short story collection The Silence Room in 2008, and his novel Afterlife in 2009. A Fellow of the Royal Society of Literature, he lives in Newcastle upon Tyne and is Professor of Creative Writing at Newcastle University.

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