British Fiction After Modernism
. Ed(S): Mackay, Marina; Stonebridge, Lyndsey
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Description for British Fiction After Modernism
Hardback. Editor(s): MacKay, Marina; Stonebridge, Lyndsey. Num Pages: 233 pages, biography. BIC Classification: 2AB; DSBH; DSK. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 216 x 140 x 17. Weight in Grams: 425.
This collection of essays offers a wide-ranging and provocative reassessment of the British novel's achievements after modernism. The book identifies continuities of preoccupation - with national identity, historiography and the challenge to literary form presented by public and private violence - that span the entire century.
This collection of essays offers a wide-ranging and provocative reassessment of the British novel's achievements after modernism. The book identifies continuities of preoccupation - with national identity, historiography and the challenge to literary form presented by public and private violence - that span the entire century.
Product Details
Format
Hardback
Publication date
2007
Publisher
Palgrave USA United States
Number of pages
233
Condition
New
Number of Pages
221
Place of Publication
Gordonsville, United States
ISBN
9781403986429
SKU
V9781403986429
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About . Ed(S): Mackay, Marina; Stonebridge, Lyndsey
GERARD BARRETT Director of Studies for English at St Edmund's College, University of Cambridge, UK BERNARD BERGONZI Emeritus Professor of English at Warwick University, UK SARA CRANGLE Research fellow at Queen's College, University of Cambridge, UK ANDRZEJ GASIOREK Reader in Twentieth-Century Literature at the University of Birmingham, UK STEVEN JACOBI Full-time writer GREG LONDE PhD student at Princeton University, USA ... Read more
Reviews for British Fiction After Modernism
'[MacKay and Stonebridge's] brilliant understanding of the conditions of the novel after modernism has allowed them to revive this 'distant dream'. [...] This collection [...] offers a new vision of late modernity. It effectively explains the 'filmic narrative,' the montage and pastiche techniques.' - The European English Messenger