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Family Likeness: Sex, Marriage, and Incest from Jane Austen to Virginia Woolf
Mary Jean Corbett
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Description for Family Likeness: Sex, Marriage, and Incest from Jane Austen to Virginia Woolf
Paperback. Num Pages: 280 pages, black & white illustrations. BIC Classification: 2AB; DSBF; DSBH; DSK. Category: (G) General (US: Trade). Dimension: 235 x 155 x 18. Weight in Grams: 412.
In nineteenth-century England, marriage between first cousins was both legally permitted and perfectly acceptable. After mid-century, laws did not explicitly penalize sexual relationships between parents and children, between siblings, or between grandparents and grandchildren. But for a widower to marry his deceased wife's sister was illegal on the grounds that it constituted incest. That these laws and the mores they reflect strike us today as wrongheaded indicates how much ideas about kinship, marriage, and incest have changed.
In Family Likeness, Mary Jean Corbett shows how the domestic fiction of novelists including Jane Austen, Charlotte Brontë, George Eliot, Elizabeth Gaskell, and ... Read moreVirginia Woolf reflected the shifting boundaries of "family" and even helped refine those borders. Corbett takes up historically contingent and culturally variable notions of who is and is not a relative and whom one can and cannot marry. Her argument is informed by legal and political debates; texts in sociology and anthropology; and discussions on the biology of heredity, breeding, and eugenics. In Corbett's view, marriage within families—between cousins, in-laws, or adoptees—offered Victorian women, both real and fictional, an attractive alternative to romance with a stranger, not least because it allowed them to maintain and strengthen relations with other women within the family.
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Product Details
Publisher
Cornell University Press United States
Place of Publication
Ithaca, United States
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Usually ships in 7 to 11 working days
About Mary Jean Corbett
Mary Jean Corbett is John W. Steube Professor of English and Affiliate of Women's Studies, Miami University. She is the author of Allegories of Union in Irish and English Writing, 1790–1870 and Representing Femininity.
Reviews for Family Likeness: Sex, Marriage, and Incest from Jane Austen to Virginia Woolf
Corbett's readings of Victorian novels are informed by Foucault and Judith Butler, and illuminated by intersecting contemporary economic, religious, racial, class, biological, and anthropological discourses. Drawing on a fascinating range of primary documentation, she emphasizes the 'stringent limits to what we can know,' pointing out, for example, that incestuous sexual abuse came to be regarded as a working-class, or 'savage,' ... Read morephenomenon partly because white middle-class homes escaped surveillance. One of Corbett's strengths lies in her determination to contest 'static versions of the past' and expose its 'messiness and complexity' in order to gain a better understanding of the ways in which women authors invoked and modified fictions of kinship.
Miranda El-Rayess
Times Literary Supplement
In this beautifully written, well-argued book, Corbett confronts the puzzling status of 'incest' in the 19th century. Victorian England had no laws against a man's having sex with his own sister or child but prohibited a widower from marrying the sister of his late wife. Beginning with this paradox, Corbett looks at how 'family' was defined legally, morally, and socially between the time of Jane Austen and Virginia Woolf.... Corbett undertakes a series of readings, not just of novels and juvenilia by Jane Austen, Charlotte Brontë, Emily Brontë, George Eliot, Elizabeth Gaskell, and Virginia Woolf, but also of legal discourse about marriage, scientific inquiry into how breeding works, and late-19th-century anthropological theories identifying incest as that which separates the 'savage' from the 'civilized.' In her conclusion, Corbett draws connections between Victorian thought on the constitution of the family and current debates over gay marriage. This book will benefit historians of the family as well as scholars and students of Victorian and modern British literature. Highly recommended.
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