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Modernism and Christianity
Erik Tonning
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Description for Modernism and Christianity
Paperback. By theorising the idea of 'formative tensions' between cultural Modernism and Christianity, and by in-depth case studies of James Joyce, David Jones, T. S. Eliot, Ezra Pound, W. H. Auden, Samuel Beckett, the book argues that no coherent account of Modernism can ignore the continuing impact of Christianity. Series: Modernism and.. Num Pages: 172 pages. BIC Classification: 2AB; DSBH. Category: (P) Professional & Vocational. Dimension: 132 x 197 x 10. Weight in Grams: 192.
By theorising the idea of 'formative tensions' between cultural Modernism and Christianity, and by in-depth case studies of James Joyce, David Jones, T. S. Eliot, Ezra Pound, W. H. Auden, Samuel Beckett, the book argues that no coherent account of Modernism can ignore the continuing impact of Christianity.
By theorising the idea of 'formative tensions' between cultural Modernism and Christianity, and by in-depth case studies of James Joyce, David Jones, T. S. Eliot, Ezra Pound, W. H. Auden, Samuel Beckett, the book argues that no coherent account of Modernism can ignore the continuing impact of Christianity.
Product Details
Format
Paperback
Publication date
2014
Publisher
Palgrave Macmillan United Kingdom
Number of pages
172
Condition
New
Series
Modernism and...
Number of Pages
149
Place of Publication
Basingstoke, United Kingdom
ISBN
9780230241770
SKU
V9780230241770
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Erik Tonning
Erik Tonning is Research Director of 'Modernism and Christianity: Literature, History, Archive', a research project jointly funded by the Bergen Research Foundation and the Department of Foreign Languages in the University of Bergen, Norway. He is the author of Samuel Beckett's Abstract Drama (2007).
Reviews for Modernism and Christianity
“As a general introduction and overview to the relationship between modernism and Christianity, Tonning’s book is a remarkable success, one that will be of great value for both graduate students and junior scholars as they engage in the burgeoning interest in this hybrid area of study.” (Jack Dudley, James Joyce Quarterly, Vol. 52 (1), 2014)