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Voice and New Writing, 1997-2007: Articulating the Demos
Maggie Inchley
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Description for Voice and New Writing, 1997-2007: Articulating the Demos
Hardcover. In New Labour's empathetic regime, how did diverse voices scrutinize its etiquettes of articulation and audibility? Using the voice as cultural evidence, Voice and New Writing explores what it means to 'have' a voice in mainstream theatre and for newly included voices to negotiate with the institutions that 'find' and 'represent' their identities. Num Pages: 211 pages, biography. BIC Classification: 2AB; 3JJPR; 3JM; AN; DSBH; DSG. Category: (P) Professional & Vocational. Dimension: 224 x 146 x 18. Weight in Grams: 392.
In New Labour's empathetic regime, how did diverse voices scrutinize its etiquettes of articulation and audibility? Using the voice as cultural evidence, Voice and New Writing explores what it means to 'have' a voice in mainstream theatre and for newly included voices to negotiate with the institutions that 'find' and 'represent' their identities.
In New Labour's empathetic regime, how did diverse voices scrutinize its etiquettes of articulation and audibility? Using the voice as cultural evidence, Voice and New Writing explores what it means to 'have' a voice in mainstream theatre and for newly included voices to negotiate with the institutions that 'find' and 'represent' their identities.
Product Details
Format
Hardback
Publication date
2015
Publisher
Palgrave Macmillan
Condition
New
Number of Pages
204
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137432322
SKU
V9781137432322
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Maggie Inchley
Maggie Inchley is a lecturer in Drama, Theatre and Performance at Queen Mary University of London, UK, and has previously lectured at the University of Surrey and Birkbeck College. As a practitioner she has directed and developed work for theatre, radio, and applied fields.
Reviews for Voice and New Writing, 1997-2007: Articulating the Demos
“Inchley’s impressively researched, interdisciplinary exploration of the UK’s theatrical voice is a welcome and original enquiry that appropriately positions dramatic audio expression within the political climate dominated by the Tony Blair administration of 1997 – 2007. … Voice and New Writing, 1997 – 2007 can claim to have made a valuable contribution in this regard and may help to inform ... Read more