Dead Pledges stands out among recent criticism for its cogent description of the culture produced by our deregulated, financialized economy, which has spawned various species of hyper-usury whereby consumer credit risk and national credit ratings have themselves become tradeable objects...We need more books like this one.
David Hawkes
Times Literary Supplement
In a series of ... Read morenuanced yet militant readings, McClanahan makes an incisive case for the centrality of the political economy of debt to contemporary art, culture, and politics. Dead Pledges is a powerful contribution to cultural and social theory that advances the debate over capital and its representations, a debate of vital importance to economic thought, artistic practice, and political action.
Alberto Toscano, Goldsmiths
University of London
Dead Pledges offers an exemplary demonstration of how literary and cultural analysis can address urgent social and political problems. A timely work of critical debt theory, it is poised to reshape the transdisciplinary debates around debt and contemporary capitalism.
Richard Dienst
Rutgers University
The book is a masterful exploration of the cultural politics of the financial crisis and a powerful mediation on how to make sense of an era of unrepayable debts...Dead Pledgesis a must read. For whom? Well, anyone living in the 21st century, concerned about insurmountable debts, thinking of how culture and the economy transect each other, and striving for a radical politics fit for the mortgaged times in which we live.
Aparna Gopalan, New Books Network McClanahan calls her cultural texts her literary laboratories, wherein she distills and deconstructs these competing narratives about capitalism, crisis, and debt. As a work of cultural critique, Dead Pledges is uniquely capable of deconstructing the literary and aesthetic devices that structure these competing narratives in a way that political economy cannot.
Sofia Cutler
Los Angeles Review of Books
McClanahan opens up the personal onto the macro of the social and the collective. In Dead Pledges, the novel and especially the realist novel turn out to be productive sites to pursue such a project due to the scalar negotiation and rich characterization that are typical of the genre-and in the credit-crisis novel both of those are under pressure
Arne De Boever
Boundary 2
Dead Pledges is remarkable for its economic history, drawing on thinkers from Adam Smith, Karl Marx, and Friedrich Nietzsche, and bringing this history of economic thought to bear on the policies and arguments of Alan Greenspan, Ben Bernanke, and Robert Shiller, among others. For its historical framing of the contemporary economic crisis alone, Dead Pledges marks an important intervention into contemporary debates about cultural forms and the economy. For those working at the intersection of contemporary literature and economics it is a must-read.
Davis Smith-Brecheisen
Mediations
McClanahan's argument is developed in part through readings of photographs of foreclosed homes and their landscapes, where in the moment of debt crisis the antisociality of (or our alienation from) property as a commodity comes to the fore. Dead Pledges brilliantly brings this antisociality home in its final chapter, which examines how housing and foreclosure have become a site of terror in contemporary horror films...McClanahan's most important contribution is how she brings out the dark side of the debt economy and crisis; that is, her attention to the hollow subjects and hostile objects that now populate our worlds. Dead Pledges illuminates the forms of structural coercion and social violence that accumulate around us, like wreckage no longer blown forward by any wind of progress.
Brian Whitener
The New Inquiry
McClanahan's great strength is the wealth of detail she brings to her portrait of the period itself, with excellent distillations of existing literature on the concept of debt, its financialization prior to 2008, and the crisis itself. Her grasp of economics, in the radical as well as the more official senses, is truly masterful and she does an outstanding job of clarifying its stakes for cultural analysis.
Julian Murphet
Affirmations: Of the Modern
Dead Pledges is a welcome addition to an area of growing importance, the 'economic humanities.' Its author commands a disparate and complex body of economic thought and economic history.
Jerry A. Varsava
American Studies
Show Less