Stock image for illustration purposes only - book cover, edition or condition may vary.
The Disappearance of Literature: Blanchot, Agamben, and the Writers of the No
Dr. Aaron Hillyer
€ 149.08
FREE Delivery in Ireland
Description for The Disappearance of Literature: Blanchot, Agamben, and the Writers of the No
Hardback.
In this book Aaron Hillyer considers the implications of Maurice Blanchot's strange formulation: "Literature is heading to its essence, which is its disappearance." This quest leads Hillyer to stage a dialogue between the works of Blanchot and Giorgio Agamben. Despite being primary points of reference for literary theory, no significant critical work has examined their "literary" writings together. The Disappearance of Literature initiates this new trajectory through readings of Blanchot's The Unavowable Community and Agamben's The Open, two short books that harbor their most enigmatic writings. A series of related concepts—study, community, mysticism, and friendship—emerges from this pairing, and, Hillyer argues, forms the basis of a new vein of contemporary literature found in the novels and hybrid fictions of Enrique Vila-Matas, Anne Carson, and Cesar Aira.
Product Details
Format
Hardback
Publication date
2013
Publisher
Bloomsbury Publishing Plc United States
Number of pages
160
Condition
New
Number of Pages
160
Place of Publication
New York, United States
ISBN
9781623561710
SKU
V9781623561710
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-1
About Dr. Aaron Hillyer
Aaron Hillyer received his Ph.D from the University of Nebraska in 2011.
Reviews for The Disappearance of Literature: Blanchot, Agamben, and the Writers of the No
The Disappearance of Literature is not only a thrilling addition to the growing body of work tracing the emergence of a literature of disappearance, but it also signals the birth of an important new critical voice. In recent years, few people have spoken about what escapes language with such extraordinary eloquence.
Andrew Gallix
Times Literary Supplement
Provides insightful analysis of a number of important conversations that link Blanchot and Agamben—indirectly, through their separate engagement of writers like Georges Bataille, Walter Benjamin, and Franz Kafka, and, also indirectly, through Agamben’s veiled communication with Blanchot himself. … Hillyer’s book offers some of its most compelling insights near the end, when literature becomes a means of reflecting upon the more general questions of ontology examined earlier in the book. … The final, short chapters of Hillyer’s book solidify the sense that his work takes a fresh angle on writers like Blanchot and Agamben who have rightly garnered the attention of many scholars and many books. Turning to the “writers of the no” gives his study that sense of freshness and demonstrates the relevance—perhaps the necessity—of Blanchot and Agamben’s thought in the work of some of the most interesting, thought-provoking, and challenging writing in contemporary literature.
Anne McConnell, West Virginia State University, USA
Comparative Literature Studies, Vol 15, No. 1, 2016
In this book, Aaron Hillyer attends, with sensitivity and erudition, to the implications of one of the most startling paradoxes of literature: that its essence may be disappearance. Through a sequence of meditations on the vicissitudes of negativity, with Giorgio Agamben and Maurice Blanchot as his guides, Hillyer explores the divagations of writing in the non-works of Melville, Kafka, César Aira, Anne Carson, Enrique Vila-Matas, and others. In doing so, he attempts to imagine ‘a new human innocence.’
Justin Clemens, Senior Lecturer in English, University of Melbourne, Australia The disappearance of literature is one of Maurice Blanchot’s most provocative, paradoxical, yet affirmative propositions, one that binds the future of writing neither to modernist autonomy nor to oppositional negativity, but to an essential vanishing of all essentiality. In this probing new book, Aaron Hillyer expertly traces the faultlines of interpretation and misunderstanding between Blanchot and Agamben regarding literature’s vocation, calling on a host of philosophical and fictional writings, from Bataille to Benjamin, Derrida to Duras, César Aira to Anne Carson and Enrique Vila-Matas, in order to study, solicit, and survey the possibilities and impossibilities announced by literature’s disappearance.
Leslie Hill, Professor, Department of French Studies, University of Warwick, UK
Andrew Gallix
Times Literary Supplement
Provides insightful analysis of a number of important conversations that link Blanchot and Agamben—indirectly, through their separate engagement of writers like Georges Bataille, Walter Benjamin, and Franz Kafka, and, also indirectly, through Agamben’s veiled communication with Blanchot himself. … Hillyer’s book offers some of its most compelling insights near the end, when literature becomes a means of reflecting upon the more general questions of ontology examined earlier in the book. … The final, short chapters of Hillyer’s book solidify the sense that his work takes a fresh angle on writers like Blanchot and Agamben who have rightly garnered the attention of many scholars and many books. Turning to the “writers of the no” gives his study that sense of freshness and demonstrates the relevance—perhaps the necessity—of Blanchot and Agamben’s thought in the work of some of the most interesting, thought-provoking, and challenging writing in contemporary literature.
Anne McConnell, West Virginia State University, USA
Comparative Literature Studies, Vol 15, No. 1, 2016
In this book, Aaron Hillyer attends, with sensitivity and erudition, to the implications of one of the most startling paradoxes of literature: that its essence may be disappearance. Through a sequence of meditations on the vicissitudes of negativity, with Giorgio Agamben and Maurice Blanchot as his guides, Hillyer explores the divagations of writing in the non-works of Melville, Kafka, César Aira, Anne Carson, Enrique Vila-Matas, and others. In doing so, he attempts to imagine ‘a new human innocence.’
Justin Clemens, Senior Lecturer in English, University of Melbourne, Australia The disappearance of literature is one of Maurice Blanchot’s most provocative, paradoxical, yet affirmative propositions, one that binds the future of writing neither to modernist autonomy nor to oppositional negativity, but to an essential vanishing of all essentiality. In this probing new book, Aaron Hillyer expertly traces the faultlines of interpretation and misunderstanding between Blanchot and Agamben regarding literature’s vocation, calling on a host of philosophical and fictional writings, from Bataille to Benjamin, Derrida to Duras, César Aira to Anne Carson and Enrique Vila-Matas, in order to study, solicit, and survey the possibilities and impossibilities announced by literature’s disappearance.
Leslie Hill, Professor, Department of French Studies, University of Warwick, UK