The Disappearance of Literature is not only a thrilling addition to the growing body of work tracing the emergence of a literature of disappearance, but it also signals the birth of an important new critical voice. In recent years, few people have spoken about what escapes language with such extraordinary eloquence.
Andrew Gallix
Times Literary Supplement
Provides ... Read moreinsightful analysis of a number of important conversations that link Blanchot and Agamben—indirectly, through their separate engagement of writers like Georges Bataille, Walter Benjamin, and Franz Kafka, and, also indirectly, through Agamben’s veiled communication with Blanchot himself. … Hillyer’s book offers some of its most compelling insights near the end, when literature becomes a means of reflecting upon the more general questions of ontology examined earlier in the book. … The final, short chapters of Hillyer’s book solidify the sense that his work takes a fresh angle on writers like Blanchot and Agamben who have rightly garnered the attention of many scholars and many books. Turning to the “writers of the no” gives his study that sense of freshness and demonstrates the relevance—perhaps the necessity—of Blanchot and Agamben’s thought in the work of some of the most interesting, thought-provoking, and challenging writing in contemporary literature.
Anne McConnell, West Virginia State University, USA
Comparative Literature Studies, Vol 15, No. 1, 2016
In this book, Aaron Hillyer attends, with sensitivity and erudition, to the implications of one of the most startling paradoxes of literature: that its essence may be disappearance. Through a sequence of meditations on the vicissitudes of negativity, with Giorgio Agamben and Maurice Blanchot as his guides, Hillyer explores the divagations of writing in the non-works of Melville, Kafka, César Aira, Anne Carson, Enrique Vila-Matas, and others. In doing so, he attempts to imagine ‘a new human innocence.’
Justin Clemens, Senior Lecturer in English, University of Melbourne, Australia The disappearance of literature is one of Maurice Blanchot’s most provocative, paradoxical, yet affirmative propositions, one that binds the future of writing neither to modernist autonomy nor to oppositional negativity, but to an essential vanishing of all essentiality. In this probing new book, Aaron Hillyer expertly traces the faultlines of interpretation and misunderstanding between Blanchot and Agamben regarding literature’s vocation, calling on a host of philosophical and fictional writings, from Bataille to Benjamin, Derrida to Duras, César Aira to Anne Carson and Enrique Vila-Matas, in order to study, solicit, and survey the possibilities and impossibilities announced by literature’s disappearance.
Leslie Hill, Professor, Department of French Studies, University of Warwick, UK Show Less