The Violet Hour is an unflinching but meditative look at a topic that may be the last real taboo and I found it challenging, moving and even hopeful
Red
Each essay reads like an intelligently speculative biography with the boring bits left out
Daily Telegraph
Roiphe sheds fascinating light on the mystery of the end of life and her book offers a comfort of sorts
Financial Times
Roiphe is an acute reader and listener with antennae tuned to pick up every nuance, and to penetrate the meaning behind meaning
Craig Brown
Daily Mail
The controlled and steady tone of all these portraits holds the book together, and makes it more than the sum of its parts: a contemporary, uncomfortably familiar study of death in the modern age
Evening Standard
These elegant, moving elegies are full of riveting insight and poignant detail
Simple Things
Engrossing . . . Such an immersive book is testament to her remarkable literary skills. This is an immensely sympathetic and satisfying read
Andrew Holgate
Sunday Times
Her technique is never anything less than insightful . . . on every page, she turns up something interesting, lets in some astonishing shaft of light. Her writing is elegant, cool, unforgettable
Rachel Cooke
Observer
Moving and insightful
Washington Post
The Violet Hour is a revelation, at least to me. Her case studies-of Susan Sontag, Sigmund Freud, Dylan Thomas, John Updike, and Maurice Sendak - focus on the last months of life, using each writer's final struggle as a key to his or her character. This is the best book Roiphe has written. She shows that our interest in dying is not just an interest in endings, or in final things, or in posterity. Instead, it has to do with how we get along, how families and friendship work, in short, how we live
Lorin Stein
Paris Review
Elegant . . . courageous, generous, intimate
Andrew Solomon author of Far from the Tree [A] beautiful and haunting work. Never overly sentimental, this is a poignant and elegant inquiry into mortality
Kirkus
In this elegant and beautifully written set of elegies, Katie Roiphe looks death squarely in the face, describing how people evanesce, how others lose them, how they lose themselves, how writing is a means to negotiate for immortality. This courageous, generous, intimate book is suffused with affection, and therefore provides comfort even when its topic is the loneliness that inheres in finality
Andrew Solomon, author of Far from the Tree