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Luise Miller
Friedrich Schiller
€ 13.99
€ 13.37
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Description for Luise Miller
Paperback. Schiller's masterpiece of power and politics in a new version by Mike Poulton (Morte D'Arthur, Don Carlos) explores the battle between honour and corruption, between truth and betrayal. This new version debuted at the Donmar Warehouse, London, in 2011. Num Pages: 96 pages. BIC Classification: DD. Category: (G) General (US: Trade). Dimension: 205 x 143 x 7. Weight in Grams: 102.
A masterpiece of power and politics that explores the battle between honour and corruption, between truth and betrayal.
Born into ancient nobility and son of the most powerful statesman in the land, Ferdinand is willing to forsake his fortune for the love of Luise, daughter of a humble musician. But in a world governed by deception and greed, where power is everything, their future happiness and liberty are beyond their control.
Adapted from Friedrich Schiller's 1784 play Kabale und Liebe, Mike Poulton's Luise Miller was first staged at the Donmar Warehouse, London, in 2011.
Product Details
Publisher
Nick Hern Books United Kingdom
Number of pages
96
Format
Paperback
Publication date
2011
Condition
New
Number of Pages
80
Place of Publication
London, United Kingdom
ISBN
9781848421479
SKU
V9781848421479
Shipping Time
Usually ships in 5 to 9 working days
Ref
99-50
About Friedrich Schiller
Mike Poulton is an award-winning dramatist whose many adaptations and translations for the stage include: Philippa Gregory's The Other Boleyn Girl (Chichester Festival Theatre, 2024); Robert Harris's Imperium (Royal Shakespeare Company); The York Mystery Plays (directed by Philip Breen at York Minster); Hilary Mantel's Wolf Hall and Bring Up the Bodies (directed by Jeremy Herrin for the Royal Shakespeare Company); Dickens’s A Tale of Two Cities (directed by James Dacre at the Royal & Derngate, Northampton); Fortune’s Fool (directed by Lucy Bailey at the Old Vic, London); Chekhov’s Uncle Vanya (directed by Lucy Bailey at The Print Room, London); Schiller’s Luise Miller (directed by Michael Grandage for the Donmar Warehouse, London); Anjin: The English Samurai (directed by Gregory Doran for Horipro in Tokyo); Malory’s Morte d’Arthur (directed by Gregory Doran for the Royal Shakespeare Company); Schiller’s Wallenstein (directed by Angus Jackson at Chichester Festival Theatre); Schiller’s Mary Stuart (directed by Terry Hands at Clwyd Theatr Cymru); Ibsen’s The Lady from the Sea (directed by Lucy Bailey at Birmingham Repertory Theatre); Chekhov’s The Cherry Orchard (directed by Philip Franks at Chichester Festival Theatre, and Terry Hands at Clwyd Theatr Cymru); Ibsen’s Rosmersholm (directed by Anthony Page at the Almeida Theatre, London); Strindberg’s The Father (directed by Angus Jackson at Chichester); Myrmidons (directed by Simon Coury at the Samuel Beckett Theatre, Dublin); and a two-part adaptation of Chaucer’s Canterbury Tales (directed by Gregory Doran for the Royal Shakespeare Company, and performed at the Swan Theatre, Stratford-upon-Avon, in the West End, and on tour of the US and Spain). His acclaimed version of Schiller’s Don Carlos premiered at the Sheffield Crucible in a production directed by Michael Grandage with Derek Jacobi as King Philip II of Spain. It has since been widely performed, including by Rough Magic Theatre Company in Dublin (directed by Lynne Parker), and at the Göteborgs Stadsteater (directed by Eva Bergman). Other productions include Ibsen’s Hedda Gabler (West Yorkshire Playhouse/Liverpool Playhouse); Turgenev’s Fortune’s Fool (directed by Arthur Penn at the Music Box Theater, Broadway; nominated for a Tony Award for Best Play, and winner of seven major awards including the Tony Awards for Best Actor for Alan Bates and Best Featured Actor for Frank Langella); Uncle Vanya (directed by Michael Mayer at the Brooks Atkinson Theatre, Broadway; with Derek Jacobi, Roger Rees and Laura Linney); Three Sisters (directed by Bill Bryden at the Birmingham Rep; with Charles Dance); Ghosts (Theatre Royal Plymouth); The Seagull, Three Sisters, The Dance of Death and an adaptation of Euripides’ Ion (all directed by David Hunt at the Mercury Theatre, Colchester). He was made an Associate Artist of the Royal Shakespeare Company in 2017.
Reviews for Luise Miller
'A love story laced with indignation... the language in Mike Poulton's fine version is alternately highflown and splendidly raunchy'
The Times
'Exquisite... Mike Poulton's electrifying new version'
Time Out
'Poulton's elegant script contains delicious cynicism about politics and some grand insults: "You civil-servile, rat-faced, write-scribbling pox-blister"'
Daily Mail
The Times
'Exquisite... Mike Poulton's electrifying new version'
Time Out
'Poulton's elegant script contains delicious cynicism about politics and some grand insults: "You civil-servile, rat-faced, write-scribbling pox-blister"'
Daily Mail