The Unequal Hours: Moments of Being in the Natural World
Linda Underhill
After spending most of her life in the city, Linda Underhill moved to rural Allegany County, New York, in 1989 and observed a successful citizens' protest against a low-level nuclear waste dump near her home. Having always thought the environmental movement applied mainly to the wilderness, Underhill began writing to voice the essence of what her neighbors were trying to preserve in their own backyards.
Her essays describe elements of the natural world: wind, water, ice, fire, trees. The title essay concerns the "unequal hours" of the changing seasons, while other essays explore a nature preserve, a garden, backyard wildlife, and a hot air balloon ride. Deliberately choosing settings close to home, she shows that one does not have to go on a wilderness voyage to appreciate the natural world.
The Unequal Hours brings to our attention the sudden, intense experiences of reality that Virginia Woolf called "moments of being" by using the events of everyday life as a way to explore what the natural world means to ordinary people. Like the sudden moments of illumination in haiku, the "moments of being" Underhill describes are rooted in the ordinary, but they reveal the extraordinary.
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About Linda Underhill
Reviews for The Unequal Hours: Moments of Being in the Natural World
Sam Pickering
author of Living to Prowl
The Unequal Hours has a moral vision and a clear message: the moments that make up our simple joys should be nurtured and celebrated. Underhill's writing reflects great skill.
Steven Harvey
author of Lost in Translation
The tapestry of The Unequal Hours is indeed a rich one. The 'moments of being' she evokes are joyous, heartbreaking, and many. And she's a keen observer and a quick study; if you're a reader not already steeped in the flora and fauna, the annual events and process of our part of the world, you'll find scores of fascinating little facts you hadn't known before.
WSKG (NPR radio)
"Off the Page"
In these jewel-like essays, Underhill invites readers to practice the difficult art of stillness.
Publishers Weekly Illustrates the author's close attention to nature as she describes the exquisite images and character of her hometown in rural western New York State, a community threatened by a toxic waste dump. . . . Underhill has developed a unique, calming rhythm of her own, describing meditations on the natural world.
Library Journal