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Raw Material: Producing Pathology in Victorian Culture
Erin O´connor
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Description for Raw Material: Producing Pathology in Victorian Culture
Paperback. Analyses how Victorians used the pathology of disease to express deep-seated anxieties about a rapidly industrialising England's relationship to the material world. Drawing on medicine, literature, political economy, sociology, anthropology, and popular advertising, the author explores the industrial logic of disease. Series: Body, Commodity, Text. Num Pages: 288 pages, 50 b&w photographs. BIC Classification: 1DBKE; 2AB; 3JH; DSBF; HBJD1; HBLL; HBTB; MBX. Category: (P) Professional & Vocational. Dimension: 227 x 145 x 20. Weight in Grams: 445.
Raw Material analyzes how Victorians used the pathology of disease to express deep-seated anxieties about a rapidly industrializing England’s relationship to the material world. Drawing on medicine, literature, political economy, sociology, anthropology, and popular advertising, Erin O’Connor explores “the industrial logic of disease,” the dynamic that coupled pathology and production in Victorian thinking about cultural processes in general, and about disease in particular.
O’Connor focuses on how four particularly troubling physical conditions were represented in a variety of literature. She begins by exploring how Asiatic cholera, which reached epidemic proportions on four separate occasions between 1832 and 1865, was thought to represent the dangers of cultural contamination and dissolution. The next two chapters concentrate on the problems breast cancer and amputation posed for understanding gender. After discussing how breast cancer was believed to be caused by the female body’s intolerance to urban life, O'Connor turns to men’s bodies, examining how new prosthetic technology allowed dismembered soldiers and industrial workers to reconstruct themselves as productive members of society. The final chapter explores how freak shows displayed gross deformity as the stuff of a new and improved individuality. Complicating an understanding of the Victorian body as both a stable and stabilizing structure, she elaborates how Victorians used disease as a messy, often strategically unintelligible way of articulating the uncertainties of chaotic change. Over the course of the century, O’Connor shows, the disfiguring process of disease became a way of symbolically transfiguring the self. While cholera, cancer, limb loss, and deformity incapacitated and even killed people, their dramatic symptoms provided opportunities for imaginatively adapting to a world where it was increasingly difficult to determine not only what it meant to be human but also what it meant to be alive.
Raw Material will interest an audience of students and scholars of Victorian literature, cultural history, and the history of medicine.
O’Connor focuses on how four particularly troubling physical conditions were represented in a variety of literature. She begins by exploring how Asiatic cholera, which reached epidemic proportions on four separate occasions between 1832 and 1865, was thought to represent the dangers of cultural contamination and dissolution. The next two chapters concentrate on the problems breast cancer and amputation posed for understanding gender. After discussing how breast cancer was believed to be caused by the female body’s intolerance to urban life, O'Connor turns to men’s bodies, examining how new prosthetic technology allowed dismembered soldiers and industrial workers to reconstruct themselves as productive members of society. The final chapter explores how freak shows displayed gross deformity as the stuff of a new and improved individuality. Complicating an understanding of the Victorian body as both a stable and stabilizing structure, she elaborates how Victorians used disease as a messy, often strategically unintelligible way of articulating the uncertainties of chaotic change. Over the course of the century, O’Connor shows, the disfiguring process of disease became a way of symbolically transfiguring the self. While cholera, cancer, limb loss, and deformity incapacitated and even killed people, their dramatic symptoms provided opportunities for imaginatively adapting to a world where it was increasingly difficult to determine not only what it meant to be human but also what it meant to be alive.
Raw Material will interest an audience of students and scholars of Victorian literature, cultural history, and the history of medicine.
Product Details
Publisher
Duke University Press United States
Number of pages
288
Format
Paperback
Publication date
2000
Series
Body, Commodity, Text
Condition
New
Number of Pages
288
Place of Publication
North Carolina, United States
ISBN
9780822326168
SKU
V9780822326168
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-1
About Erin O´connor
Erin O’Connor is Assistant Professor of English at the University of Pennsylvania.
Reviews for Raw Material: Producing Pathology in Victorian Culture
“Raw Material adds much to the existing literature on the Victorians. With its enlightening case studies and its author’s solid understanding of the state of medical art in the latter half of the nineteenth century, this is a first-rate piece of work.”—Sander L. Gilman, author of Creating Beauty to Cure the Soul: Race and Psychology in the Shaping of Aesthetic Surgery “Industry makes it possible to understand the Victorian body, according to Erin O'Connor, as so much raw material. O'Connor's mind is a pleasure to watch at work and Raw Material will make a significant contribution to Victorian studies, to work on the body, and to cultural studies.”—Mary Ann O'Farrell, author of Telling Complexions: The Nineteenth-Century English Novel and the Blush “The body in distress and deformation—black from cholera, excrescent from breast cancer, monstrous, and repaired through prosthesis—offers a prism through which O’Connor refracts the crisis of the self in the world’s first industrial society. This is a complex, empirically rich, reflective and vigorously argued book that will be welcomed by literary critics, by historians of the body and of the nineteenth century, and by anyone engaged with cultural theory.”—Thomas Laqueur, author of Making Sex : Body and Gender from the Greeks to Freud