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Shakespearean Entrances
M. Ichikawa
€ 127.57
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Description for Shakespearean Entrances
Hardcover. Elizabethan playwrights and players not only routinely handled entrances and exits on the Shakespearean stage, but they also used them to bring about various effects. The author's findings provide means by which to recover effects and meanings that the original audience would have appreciated. Num Pages: 209 pages, biography. BIC Classification: 2AB; DSGS. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 216 x 140 x 18. Weight in Grams: 449.
Shakespearean Entrances offer a systematic study of entrances and exits on the Shakespearean stage. Elizabethan playwrights and players not only routinely handled these movements but they also used them to bring about various effects. Through analyzing the surviving play-texts, the author attempts to identify the unspoken but standard rules that lay behind the minimal and conventionalized stage directions 'Enter' and 'Exit'/'Exeunt'. The findings provide means by which to recover effects and meanings that the original audience would have appreciated.
Shakespearean Entrances offer a systematic study of entrances and exits on the Shakespearean stage. Elizabethan playwrights and players not only routinely handled these movements but they also used them to bring about various effects. Through analyzing the surviving play-texts, the author attempts to identify the unspoken but standard rules that lay behind the minimal and conventionalized stage directions 'Enter' and 'Exit'/'Exeunt'. The findings provide means by which to recover effects and meanings that the original audience would have appreciated.
Product Details
Format
Hardback
Publication date
2002
Publisher
Palgrave Macmillan
Number of pages
216
Condition
New
Number of Pages
198
Place of Publication
Basingstoke, United Kingdom
ISBN
9780333984062
SKU
V9780333984062
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About M. Ichikawa
MARIKO ICHIKAWA is Professor at the Graduate School of International Cultural Studies, University of Tohoku, Japan. She has co-authored Staging in Shakespeare's Theatres with Andrew Gurr and authored several articles on Shakespearean entrances and exits.
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