Reviews 'It is a testament to Mona Arshi's talent that, after a decade of not reading any poetry at all, her work had me clambering for old anthologies. Of course, little of what I read afterwards was as elegant, moving, haunting or true. Nothing less than Britain's most promising writer.' Sathnam Sanghera, The Times 'Deliciously varied in form and approach, tone and voice, Mona Arshi’s poems display a tantalising ‘instability’ – each one prismatic and glittering. She opens a clear, suggestive window onto many aspects of life and inner life, on her cultural background, for instance, and on the tragic loss of a brother. So often one thinks, pulled up in amazement, ‘Where did that come from?’ that I’m tempted to the use the word ‘genius’.' Moniza Alvi 'There is an extraordinary keenness, sharpness, poignancy and precision in Mona Arshi's poems. They deal with loss, pleasure and the sheer particularities of life with striking grace, constituting something like ‘an erotics of the spirit’, tenderly and imaginatively taking apart and reassembling language, registering everything necessary. Time and again she hits the perfect note. It is rare to find a first book as beautiful as this.' George Szirtes 'Mona Arshi’s debut collection certainly lives up to that claim. Her work draws on a rainbow of influences, including her Punjabi Sikh heritage. Fuelled by grief at her brother’s death, but encompassing a range of human experiences, her poems have the vividly uncanny quality of dreams, as the surface of ordinary things shifts to reveal something quite disturbingly different. Her use of imagery is startlingly original: pomegranate seeds are ‘unborns ticking/in blisters of heat’.' The Lady 'Mona Arshi proves she has the tools to move and startle her audience with precisely-crafted work.' Dundee University Review of the Arts 'Small Hands is a beautiful, minimally-designed and tiny edition – even the font is noticeably smaller than the industry norm – and Liverpool University Press have done an excellent job making the physical object match the work inside it. The collection is full of curious, shifty poems that seem intent on approaching their subjects sidelong, or from multiple angles at once. If this approach sometimes makes it difficult to get an accurate read on the poem’s message, it does make for work that seems to offer up something different with every reading. Dave Poems 'This is an intriguing, powerful collection.' Cath Nichols, Poetry Wales 'Small Hands seems to offer an early ripening of what promises to be a vintage trip into ‘foreignation.’ Ken Evans, The Manchester Review 'Small Hands is a brimming miscellany of poems. [A] prominent and enjoyable aspect of Arshi’s work is its sensuality and awareness of the body; this is a collection full of hands, feet, mouths, lips, eyes, wrists, hair and, ubiquitously, skin. [...] Arshi combines a liking for obliqueness, sometimes even coolness, with a desire to push what language can do and a willingness to experiment with form.'Martyn Crusifix