(Syn)aesthetics
Josephine Machon
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Description for (Syn)aesthetics
Hardback. A timely book that identifies the practice of '(syn)aesthetics' in artistic style and audience response, which helps to articulate the power of experiential practice in the arts. This exciting new approach includes interviews with leading practitioners in of theatre, dance, site-specific work, live art and technological performance practice. Num Pages: 239 pages, biography. BIC Classification: AN; DSBH; DSG. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 18. Weight in Grams: 430.
A timely book that identifies the practice of '(syn)aesthetics' in artistic style and audience response, which helps to articulate the power of experiential practice in the arts. This exciting new approach includes interviews with leading practitioners in of theatre, dance, site-specific work, live art and technological performance practice.
A timely book that identifies the practice of '(syn)aesthetics' in artistic style and audience response, which helps to articulate the power of experiential practice in the arts. This exciting new approach includes interviews with leading practitioners in of theatre, dance, site-specific work, live art and technological performance practice.
Product Details
Format
Hardback
Publication date
2009
Publisher
Palgrave Macmillan United Kingdom
Number of pages
239
Condition
New
Number of Pages
221
Place of Publication
Basingstoke, United Kingdom
ISBN
9780230221277
SKU
V9780230221277
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Josephine Machon
List of interviewees: LINDA BASSETT is an internationally renowned actress. BODIES IN FLIGHT was formed in 1990 by choreographer Sara Giddens and writer Simon Jones, and makes interdisciplinary performance work. GLYN CANNON is a British playwright. MARISA CARNESKY is an Olivier award winning performance artist and show-woman who has presented performance events ... Read more
Reviews for (Syn)aesthetics
'The diversity of voices [in part 2 of the book] is a real strength...[and] provides a rich array of primary source material for all readers from undergraduates to professors...' - Patrick Duggan, New Theatre Quarterly