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The Norton Shakespeare. Tragedies.

. Ed(S): Cohen, Walter; Howard, Jean E.; Maus, Katharine Eisaman; McMullan, Gordon; Gossett, Suzanne

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Description for The Norton Shakespeare. Tragedies. Paperback. Both an enhanced digital edition-the first edited specifically for undergraduates-and a handsome print volume, The Norton Shakespeare, third edition, provides a freshly edited text, acclaimed apparatus and an unmatched value. Editor(s): Cohen, Walter; Howard, Jean E.; Maus, Katharine Eisaman; McMullan, Gordon; Gossett, Suzanne. Num Pages: 1232 pages. BIC Classification: DDS. Category: (U) Tertiary Education (US: College). Dimension: 236 x 155 x 30. Weight in Grams: 930.

These individual volumes extracted from The Norton Shakespeare bring to readers a meticulously edited new text that reflects current textual-editing scholarship and introduces innovative teaching features. The print and digital bundles offer students a great reading experience in two ways—printed volumes for their lifetime library and digital editions ideal for in-class use. Every introduction, note, gloss and bibliography has been reconsidered in light of reviewers’ suggestions, and new textual introductions and performance notes reflect the extensive new scholarship in these fields.

The ebooks are accessed with The Norton Shakespeare Digital Edition registration code included in the print volumes.

Product Details

Format

Paperback

Publication date

2015

Publisher

WW Norton & Co United States

Number of pages

1232

Condition

New

Number of Pages

1232

Place of Publication

New York, United States

ISBN

9780393938609

SKU

V9780393938609

Shipping Time

Usually ships in 7 to 11 working days

Ref

99-26

About . Ed(S): Cohen, Walter; Howard, Jean E.; Maus, Katharine Eisaman; McMullan, Gordon; Gossett, Suzanne

Stephen Greenblatt, PhD, is Cogan University Professor of the Humanities at Harvard University and general editor of The Norton Anthology of English Literature. He is author of the Pulitzer Prize– and National Book Award–winning The Swerve. Walter Cohen (Ph.D. Berkeley) is Professor of English at the University of Michigan, Ann Arbor, and Professor of Comparative Literature Emeritus at Cornell University, ... Read morewhere he received the Clark Distinguished Teaching Award. He is the author of Drama of a Nation: Public Theater in Renaissance England and Spain, as well as numerous journal articles on Renaissance literature, literary criticism, the history of the novel, and world literature. He has recently completed a critical study entitled A History of European Literature: The West and the World from Antiquity to the Present. Suzanne Gossett (Ph.D. Princeton) is professor emerita of English at Loyola University Chicago. She is a General Editor of Arden Early Modern Drama and has recently served as president of the Shakespeare Association of America. She has written extensively about early modern drama and textual criticism and has edited, most recently, Eastward Ho! in the Cambridge Edition of the Works of Ben Jonson, Philaster for Arden Early Modern Drama, A Fair Quarrel in Thomas Middleton: The Collected Works, Pericles in Arden Shakespeare 3, and the collection Thomas Middleton in Context. Jean E. Howard (Ph.D., Yale) is the George Delacorte Professor in the Humanities at Columbia University. A past president of the Shakespeare Association of America, she is the author of numerous books on Renaissance drama, including Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (1984), The Stage and Social Struggle (1994), Engendering a Nation: A Feminist Account of Shakespeare’s English Histories, with Phyllis Rackin (1997), Theater of a City: The Places of London Comedy 1598–1642 (2007), and Marx and Shakespeare with Crystal Bartolovich (2012). She is at work on a book about the English history play from Shakespeare to Caryl Churchill and another on the invention of Renaissance tragedy. Katharine Eisaman Maus (Ph.D. Johns Hopkins), The Early Seventeenth Century, is James Branch Cabell Professor of English at the University of Virginia. She is the author of Being and Having in Shakespeare, Inwardness and Theater in the English Renaissance, and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of The Norton Shakespeare, English Renaissance Drama: A Norton Anthology, and a collection of criticism on seventeenth-century English poetry. She has been awarded Guggenheim, Leverhulme, NEH, and ACLS fellowships, and the Roland Bainton Prize for Inwardness and Theater. Gordon McMullan (D.Phil. Oxford) is Professor of English at King’s College London and Director of the London Shakespeare Centre. He is the author of Shakespeare and the Idea of Late Writing: Authorship in the Proximity of Death and The Politics of Unease in the Plays of John Fletcher, and editor of the Arden Shakespeare edition of Henry VIII and the Norton Critical Edition of 1 Henry IV. He is a General Editor of Arden Early Modern Drama. He has edited or co-edited several collections of essays, including Late Style and Its Discontents, Women Making Shakespeare, Reading the Medieval in Early Modern England, and In Arden: Editing Shakespeare. Show Less

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The Norton Shakespeare. Tragedies.

. Ed(S): Cohen, Walter; Howard, Jean E.; Maus, Katharine Eisaman; McMullan, Gordon; Gossett, Suzanne

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