The Shakespeare Effect: A History of Twentieth-Century Performance
Robert Shaughnessy
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Description for The Shakespeare Effect: A History of Twentieth-Century Performance
Hardcover. This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon. Num Pages: 230 pages, biography. BIC Classification: AN; DSGS. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 14. Weight in Grams: 474.
This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.
This lively and provocative study offers a radical reappraisal of a century of Shakespearean theatre. Topics addressed include modernist Shakespearean performance's relation with psychoanalysis, the hidden gender dynamics of the open stage movement, and the appropriation of Shakespeare himself as a dramatic fiction and theatrical icon.
Product Details
Format
Hardback
Publication date
2002
Publisher
Palgrave Macmillan
Number of pages
232
Condition
New
Number of Pages
221
Place of Publication
Basingstoke, United Kingdom
ISBN
9780333779378
SKU
V9780333779378
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Robert Shaughnessy
ROBERT SHAUGHNESSY is Reader in Drama at the University of Surrey, Roehampton. He has published widely in the fields of Shakespeare, Renaissance drama and contemporary theatre; his books include Representing Shakespeare: England, History and the RSC, Shakespeare on Film, and Shakespeare in Performance.
Reviews for The Shakespeare Effect: A History of Twentieth-Century Performance
'...makes a significant contribution to the literature on the difficult task of theorizing Shakespeare on stage.' - J.Schlueter, Choice