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Theatre Censorship in Britain
Helen Freshwater
€ 66.95
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Description for Theatre Censorship in Britain
Hardback. This exploration of the wide variety of censorship that has shaped theatrical performance in twentieth and twenty-first century Britain examines the unpredictable outcomes of censorship, deep-seated anxieties about the performative influence of the stage, and the complex questions raised by acts of theatrical censorship. Num Pages: 222 pages, biography. BIC Classification: AN; DSBH; DSG; JFCA; JFMD. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 216 x 140 x 16. Weight in Grams: 380.
This exploration of the wide variety of censorship that has shaped theatrical performance in twentieth and twenty-first century Britain examines the unpredictable outcomes of censorship, deep-seated anxieties about the performative influence of the stage, and the complex questions raised by acts of theatrical censorship.
This exploration of the wide variety of censorship that has shaped theatrical performance in twentieth and twenty-first century Britain examines the unpredictable outcomes of censorship, deep-seated anxieties about the performative influence of the stage, and the complex questions raised by acts of theatrical censorship.
Product Details
Format
Hardback
Publication date
2009
Publisher
Palgrave Macmillan United Kingdom
Number of pages
222
Condition
New
Number of Pages
212
Place of Publication
Basingstoke, United Kingdom
ISBN
9780230223783
SKU
V9780230223783
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Helen Freshwater
HELEN FRESHWATER lectures at Birkbeck College, University of London, UK, where she specializes in twentieth-century British theatre and contemporary performance. She is author of Theatre and Audience.
Reviews for Theatre Censorship in Britain
'...Freshwater has provided us with an excellent and wide-ranging study which will no doubt inspire scholars and students alike and will have a genuine and long-term impact on the discipline.' - Maggie B. Gale, New Theatre Quarterly