Zeami’s Style: The Noh Plays of Zeami Motokiyo
Thomas Blenman Hare
€ 33.91
FREE Delivery in Ireland
Description for Zeami’s Style: The Noh Plays of Zeami Motokiyo
Paperback. This is a full-length study of Zeami Motokiyo (1363-1443), generally recognized as the greatest playwright of Japan's classical Noh theatre. Num Pages: 336 pages, 5 half-tones 1 map. BIC Classification: 1FPJ; 2GJ; DSBB; DSG. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5766 x 3887 x 20. Weight in Grams: 481.
This is the first full-length study of Zeami Motokiyo (1363–1443), generally recognized as the greatest playwright of Japan's classical Noh theater. The book begins with a biography based on the known documents relating to Zeami's life. It then examines the documentary evidence for authorship and explains the various technical aspects of Noh. Subsequent chapters explore the role of the old man in noh (particularly in the play Takasago), as well as Zeami's plays about women and warriors, with primary attention to Izutsu and Tadanori. The book concludes with a general discussion of Zeami's style and the relationship between his dramatic ... Read more
Show LessProduct Details
Format
Paperback
Publication date
1996
Publisher
Stanford University Press United States
Number of pages
336
Condition
New
Number of Pages
336
Place of Publication
Palo Alto, United States
ISBN
9780804726771
SKU
V9780804726771
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Thomas Blenman Hare
This is the first full-length study of Zeami Motokiyo (1363–1443), generally recognized as the greatest playwright of Japan's classical Noh theater. The book begins with a biography based on the known documents relating to Zeami's life. It then examines the documentary evidence for authorship and explains the various technical aspects of noh. Subsequent chapters explore the role of the old ... Read more
Reviews for Zeami’s Style: The Noh Plays of Zeami Motokiyo
"An important contribution to study of the noh theater, and those interested in the noh or seriously working that stretch of the scholarly street are sure to find it required reading."—Journal of Asian Studies "Superior. . . . The book offers several things heretofore unavailable in English: as detailed a biography as the scant documentation allows, an analysis of the ... Read more