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Romancing the Difference
Camille K. Lewis
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Description for Romancing the Difference
Hardcover. Examines the rhetoric of fundamentalism as seen through the lens of Bob Jones University. Highlighting the romantic language used by religious separatists, this book argues that fundamentalism is not the angry cry of an outsider, nor is it the mocking of secular culture. Series: Studies in Rhetoric and Religion. Num Pages: 205 pages, 161. BIC Classification: HRAM6. Category: (G) General (US: Trade). Dimension: 234 x 157 x 19. Weight in Grams: 410.
Romancing the Difference examines the rhetoric of fundamentalism as seen through the lens of Bob Jones University. Highlighting the romantic language used by religious separatists, Lewis argues that fundamentalism is not the angry cry of an outsider, nor is it the mocking of secular culture. Instead, it is an attempt to embody and articulate things that are lovely in order to woo others to an entirely different kind of life.
Romancing the Difference examines the rhetoric of fundamentalism as seen through the lens of Bob Jones University. Highlighting the romantic language used by religious separatists, Lewis argues that fundamentalism is not the angry cry of an outsider, nor is it the mocking of secular culture. Instead, it is an attempt to embody and articulate things that are lovely in order to woo others to an entirely different kind of life.
Product Details
Format
Hardback
Publication date
2007
Publisher
Baylor University Press United States
Number of pages
205
Condition
New
Series
Studies in Rhetoric and Religion
Number of Pages
173
Place of Publication
Waco, United States
ISBN
9781602580039
SKU
V9781602580039
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-4
Reviews for Romancing the Difference
[ Romancing the Difference] is smart, direct, and brimming with lucid prose scholars should envy. Moreover, Lewis is a careful reader of Burke and she succeeds in her attempt to expand Burkean theory to account for discursive engagement that supplements his interpretative frames of comedy and tragedy with a third frame, that of romance.
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