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Listen: A History of Our Ears
Peter Szendy
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Description for Listen: A History of Our Ears
Paperback. Examines what the role of the listener is, and has been, through the centuries. The author explains his love of musical arrangement (since arrangements allow him to listen to someone listening to music), and wonders whether it is possible in other ways to convey to others how we ourselves listen to music. Num Pages: 176 pages, black & white illustrations. BIC Classification: AVA. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 218 x 157 x 12. Weight in Grams: 292.
In this intimate meditation on listening, Peter Szendy examines what the role of the listener is, and has been, through the centuries. The role of the composer is clear, as is the role of the musician, but where exactly does the listener stand in relation to the music s/he listens to? What is the responsibility of the listener? Does a listener have any rights, as the author and composer have copyright? Szendy explains his love of musical arrangement (since arrangements allow him to listen to someone listening to music), and wonders whether it is possible in other ways to convey ... Read more
Show LessProduct Details
Format
Paperback
Publication date
2008
Publisher
Fordham University Press United States
Number of pages
176
Condition
New
Number of Pages
176
Place of Publication
New York, United States
ISBN
9780823228003
SKU
V9780823228003
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Peter Szendy
Peter Szendy is David Herlihy Professor of Humanities and Comparative Literature at Brown University and musicological advisor for the concert programs at the Paris Philharmonie. His books include Of Stigmatology: Punctuation as Experience; All Ears: The Aesthetics of Espionage; Apocalypse-Cinema: 2012 and Other Ends of the World; Kant in the Land of Extraterrestrials; Hits: Philosophy in the Jukebox; and Listen: ... Read more
Reviews for Listen: A History of Our Ears
"Swerving away from the grand abstractions of late-deconstructive theory, the book has no labyrinthine close-readings, no world-historical announcements, and ties itself in no tortured linguistic knots." -Current Musicology "Szendy's meditation on listening and on music is a dreamlike mixture of philosophy, personal memoir, and intellectual history. Listening is not hearing (perception or sensation), but neither is it understanding ("entendre"), as ... Read more