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The Witch´s Flight: The Cinematic, the Black Femme, and the Image of Common Sense
Kara Keeling
€ 28.79
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Description for The Witch´s Flight: The Cinematic, the Black Femme, and the Image of Common Sense
Paperback. Contends that cinema and cinematic processes had a profound significance for twentieth-century anti-capitalist Black liberation movements based in the United States. The author finds hidden within the histories and logics generated by US-based struggles against racism, sexism, and homophobia, the Black femme's invisible, affective labour. Series: Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe. Num Pages: 224 pages, 1 b&w photo. BIC Classification: 1K; APFA; GTB. Category: (P) Professional & Vocational. Dimension: 5817 x 3963 x 13. Weight in Grams: 313.
Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze’s notion of “the cinematic”—not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself —Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic ... Read more
Kara Keeling contends that cinema and cinematic processes had a profound significance for twentieth-century anticapitalist Black Liberation movements based in the United States. Drawing on Gilles Deleuze’s notion of “the cinematic”—not just as a phenomenon confined to moving-image media such as film and television but as a set of processes involved in the production and reproduction of social reality itself —Keeling describes how the cinematic structures racism, homophobia, and misogyny, and, in the process, denies viewers access to certain images and ways of knowing. She theorizes the black femme as a figure who, even when not explicitly represented within hegemonic ... Read more
Product Details
Format
Paperback
Publication date
2007
Publisher
Duke University Press United States
Number of pages
224
Condition
New
Series
Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
Number of Pages
224
Place of Publication
North Carolina, United States
ISBN
9780822340256
SKU
V9780822340256
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Kara Keeling
Kara Keeling is Assistant Professor of Critical Studies in the School of Cinematic Arts and of African American Studies in the Department of American Studies and Ethnicity at the University of Southern California. She is a coeditor of James A. Snead’s Racist Traces and Other Writings: European Pedigrees/African Contagions.
Reviews for The Witch´s Flight: The Cinematic, the Black Femme, and the Image of Common Sense
“Kara Keeling offers a tour de force extension of Deleuze’s writings: she understands cinema as a form of thought, as well as a motor of a shared sensorium, capable of numbing repetition as well as provocative alternative visions. No ‘Deleuzeobabble’ here, though, just sweet grooves and careful readings. With lucid and piercing argument, Keeling is a serious critic of black ... Read more