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Gwendolyn Au Foster - Women Filmmakers of the African & Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity - 9780809321209 - V9780809321209
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Women Filmmakers of the African & Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity

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Description for Women Filmmakers of the African & Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity Paperback. An examination of the works of six contemporary black and asian women filmmakers. It also includes a detailed introduction and a chapter entitled "Other Voices", documenting the work of other black and asian filmmakers. Num Pages: 208 pages, illustrations. BIC Classification: APF; JFSJ1; JFSL. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 226 x 154 x 12. Weight in Grams: 276.
An examination of the works of six contemporary black and asian women filmmakers. It also includes a detailed introduction and a chapter entitled ""Other Voices"", documenting the work of other black and asian filmmakers. The book analyzes the key films of Zeinabu Irene Davis, ""one of a growing number of independent black women filmmakers who are actively constructing an 'oppositional gaze'""; British filmmaker Ngozi Onwurah and Julie Dash, two filmmakers working with time and space; Pratibha Parmar, a Kenyan/Indian-born British black filmmaker concerned with issues of representation, identity, cultural displacement, lesbianism and racial identity; Trinh T. Minh-ha, a Vietnamese-born artist ... Read more

Product Details

Format
Paperback
Publication date
1997
Publisher
Southern Illinois University Press
Condition
New
Place of Publication
Carbondale, United States
ISBN
9780809321209
SKU
V9780809321209
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1

About Gwendolyn Au Foster
Gwendolyn Audrey Foster, a professor of film studies, women's studies, and cultural studies in the Department of English at the University of Nebraska, Lincoln, is the author of eight books. Her most recent book, Performing Whiteness: Postmodern Re/Constructions in the Cinema, was named an outstanding title in the humanities for 2004 by Choice.

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