.png){kind=logo}
Stock image for illustration purposes only - book cover, edition or condition may vary.
Color, The Film Reader
Angela Dalle Vacche
€ 53.77
FREE Delivery in Ireland
Description for Color, The Film Reader
Paperback. With case studies on such figures as Hitchcock, Godard and Almovodar, this anthology is devoted to the subject of colour in film and its history, production and technology. It is suitable for students starting a film studies course. Editor(s): Vacche, Angela Dalle; Price, Brian. Series: In Focus: Routledge Film Readers. Num Pages: 214 pages, 1 black & white tables, 6 colour illustrations. BIC Classification: APF; GT. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 233 x 156 x 13. Weight in Grams: 352.
This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology. Set out in thematic sections, the book addresses key issues in the field including: the development of colour technology how visual stule was affected by the shift from black and white to colour colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima colour ... Read more
This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology. Set out in thematic sections, the book addresses key issues in the field including: the development of colour technology how visual stule was affected by the shift from black and white to colour colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima colour ... Read more
Product Details
Publisher
Taylor & Francis Ltd United Kingdom
Number of pages
272
Format
Paperback
Publication date
2006
Series
In Focus: Routledge Film Readers
Condition
New
Number of Pages
214
Place of Publication
London, United Kingdom
ISBN
9780415324427
SKU
V9780415324427
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-1
Reviews for Color, The Film Reader
'[This book] remains an important stepping-stone in film studies... [and] can be considered an accomplishment'. - Film International