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Fast Forward: The Future(s) of the Cinematic Arts
Holly Willis
€ 37.99
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Description for Fast Forward: The Future(s) of the Cinematic Arts
Paperback. Num Pages: 224 pages. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 159 x 233 x 18. Weight in Grams: 306.
Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as worldbuilding, virtual reality, and transmedia introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production. What does this mean for telling stories? Fast Forward answers this question by investigating a full range of contemporary creative practices dedicated to the future ... Read more
Cinema, the primary vehicle for storytelling in the twentieth century, is being reconfigured by new media in the twenty-first. Terms such as worldbuilding, virtual reality, and transmedia introduce new methods for constructing a screenplay and experiencing and sharing a story. Similarly, 3D cinematography, hypercinema, and visual effects require different modes for composing an image, and virtual technology, motion capture, and previsualization completely rearrange the traditional flow of cinematic production. What does this mean for telling stories? Fast Forward answers this question by investigating a full range of contemporary creative practices dedicated to the future ... Read more
Product Details
Publisher
Columbia University Press
Format
Paperback
Publication date
2016
Condition
New
Weight
305g
Number of Pages
224
Place of Publication
New York, United States
ISBN
9780231178938
SKU
V9780231178938
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Holly Willis
Holly Willis is a faculty member in the School of Cinematic Arts at the University of Southern California. She is the author of New Digital Cinema: Reinventing the Moving Image, the editor of The New Ecology of Things, and the cofounder of Filmmaker Magazine, dedicated to independent filmmaking.
Reviews for Fast Forward: The Future(s) of the Cinematic Arts
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