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Sessue Hayakawa: Silent Cinema and Transnational Stardom
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Description for Sessue Hayakawa: Silent Cinema and Transnational Stardom
Paperback. Critical biography of Sessue Hayakawa, a Japanese actor who became a popular silent film star in the U.S., that looks at how Hollywood treated issues of race and nationality in the early twentieth century. Series: A John Hope Franklin Center Book. Num Pages: 400 pages, 23 illustratons. BIC Classification: APF. Category: (P) Professional & Vocational. Dimension: 155 x 227 x 25. Weight in Grams: 608.
While the actor Sessue Hayakawa (1886–1973) is perhaps best known today for his Oscar-nominated turn as a Japanese military officer in The Bridge on the River Kwai (1957), in the early twentieth century he was an internationally renowned silent film star, as recognizable as Charlie Chaplin or Douglas Fairbanks. In this critical study of Hayakawa’s stardom, Daisuke Miyao reconstructs the Japanese actor’s remarkable career, from the films that preceded his meteoric rise to fame as the star of Cecil B. DeMille’s The Cheat (1915) through his reign as a matinee idol and the subsequent decline and resurrection of his Hollywood fortunes.
Drawing on early-twentieth-century sources in both English and Japanese, including Japanese-language newspapers in the United States, Miyao illuminates the construction and reception of Hayakawa’s stardom as an ongoing process of cross-cultural negotiation. Hayakawa’s early work included short films about Japan that were popular with American audiences as well as spy films that played upon anxieties about Japanese nationalism. The Jesse L. Lasky production company sought to shape Hayakawa’s image by emphasizing the actor’s Japanese traits while portraying him as safely assimilated into U.S. culture. Hayakawa himself struggled to maintain his sympathetic persona while creating more complex Japanese characters that would appeal to both American and Japanese audiences. The star’s initial success with U.S. audiences created ambivalence in Japan, where some described him as traitorously Americanized and others as a positive icon of modernized Japan. This unique history of transnational silent-film stardom focuses attention on the ways that race, ethnicity, and nationality influenced the early development of the global film industry.
Product Details
Format
Paperback
Publication date
2007
Publisher
Duke University Press United States
Number of pages
400
Condition
New
Series
A John Hope Franklin Center Book
Number of Pages
400
Place of Publication
North Carolina, United States
ISBN
9780822339694
SKU
V9780822339694
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Unknown
Daisuke Miyao is Assistant Professor of Japanese Literature and Film at the University of Oregon. He is a coeditor of Casio Abe’s Beat Takeshi vs. Takeshi Kitano and a co-translator of Kiju Yoshida’s Ozu’s Anti-Cinema.
Reviews for Sessue Hayakawa: Silent Cinema and Transnational Stardom
“Fascinating . . . an exceptionally rich and provocative study of race and national imagery at the beginnings of the Hollywood film industry.”—Richard Peña, Program Director, Film Society of Lincoln Center, and Professor of Film Studies, Columbia University “Sessue Hayakawa has not received the attention he deserves as one of the most popular and prolific stars of the American silent screen, and this book brings a wealth of material to light. Without replicating existing research, Daisuke Miyao makes an important contribution to three developing areas within film studies: new approaches to the history of early silent film, studies of the impact of Asian Americans on Hollywood, and studies of transnational links among various film industries around the world.”—Gina Marchetti, author of From Tian’anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989–1997 “This is the definitive work on Sessue Hayakawa. It is a work of great originality, a truly unique attempt not only to give a thorough account of the career of one of the first and most unusual stars of silent cinema but also to approach Hayakawa from the perspective of his identity as an ethnic Japanese gaining worldwide stardom. That Daisuke Miyao is able to interrogate not only Japanese sources but the Japanese-language newspapers in the United States makes this perhaps the most thorough—and complex—treatment of the ethnicity of a movie star ever offered by a film historian. And Miyao’s placing of Hayakawa’s stardom within the context of the political and cultural relations between the United States and Japan is nothing less than masterful.”—Tom Gunning, author of The Films of Fritz Lang: Allegories of Vision and Modernity “Sessue Hayakawa: Silent Cinema and Transnational Stardom brings superb research and historical rigor to Hayakawa, an underrated Japanese silent film star, and to transnational film spectatorship during the early years of Hollywood. The book and its bibliography and inspirational for furthering the critical studies on other lesser-known Japanese cosmopolitan figures in early Hollywood. . . .Miyao’s book makes an unparalleled contribution and is an exemplary model for bridging the fields of cinema studies, Asian American studies, and Japanese studies.”
Sachiko Mizuno
Journal of Asian Studies
“This book is a welcome addition to the literature on Orientalism, romance and the ‘Yellow Peril’ in Hollywood cinema, which has hitherto given scant attention to Hayakawa and his significant role in the silent cinema. The author’s bilingualism, assiduous research and wide-ranging scholarship have enabled a refreshingly comprehensive account and informed analysis of the reception of the star and his films in both Japan and America.”
Freda Freiberg
Asian Studies Review
Sachiko Mizuno
Journal of Asian Studies
“This book is a welcome addition to the literature on Orientalism, romance and the ‘Yellow Peril’ in Hollywood cinema, which has hitherto given scant attention to Hayakawa and his significant role in the silent cinema. The author’s bilingualism, assiduous research and wide-ranging scholarship have enabled a refreshingly comprehensive account and informed analysis of the reception of the star and his films in both Japan and America.”
Freda Freiberg
Asian Studies Review