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The Philosophy of Film: Introductory Text and Readings
Wartenberg
€ 181.61
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Description for The Philosophy of Film: Introductory Text and Readings
Hardcover. Organized around a series of philosophic questions about film, this title offers an accessible overview of the discipline. It provides a selection of readings drawn from philosophy, film studies, and film criticism. It has multiple points of view highlighted in discussion of film theory, narration, film and emotion, and social values of cinema. Editor(s): Wartenberg, Thomas E.; Curran, Angela. Num Pages: 320 pages, black & white illustrations. BIC Classification: APFA. Category: (P) Professional & Vocational. Dimension: 252 x 176 x 22. Weight in Grams: 694.
Organized around a series of philosophic questions about film, The Philosophy of Film: Introductory Text and Readings offers an accessible and engaging overview of the discipline.
- Provides thorough selection of readings drawn from philosophy, film studies, and film criticism
- Multiple points of view highlighted in discussion of film theory, narration, authorship, film and emotion, and the social values of cinema
- Presents thought-provoking reading questions as well as clear and helpful introductions for each section
More information about this text along with further resources are available from the accompanying website at: http://www.mtholyoke.edu/omc/phil-film/index.html
Product Details
Format
Hardback
Publication date
2004
Publisher
John Wiley and Sons Ltd United Kingdom
Number of pages
320
Condition
New
Number of Pages
320
Place of Publication
Hoboken, United Kingdom
ISBN
9781405114417
SKU
V9781405114417
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Wartenberg
Thomas E. Wartenberg is Professor of Philosophy at Mount Holyoke College, researching the intersection between philosophy and culture. A former Fulbright Research Fellow and a National Endowment for the Humanities Fellow, he is the author of Unlikely Couples: Movie Romance as Social Criticism (1999). His other publications include The Nature of Art (ed., 2002) and Philosophy and Film (co-ed., 1995). Angela Curran teaches philosophy at Franklin and Marshall College in Pennsylvania. Her primary areas of research are ancient Greek philosophy, aesthetics, and philosophy of film. Her work in philosophy of film includes an essay on tragedy and film horror for Dark Thoughts: Philosophical Reflections on Cinematic Horror (2003).
Reviews for The Philosophy of Film: Introductory Text and Readings
“Congratulations to Wartenberg and Curran for their terrific anthology. Uniting key works in film theory, criticism, and philosophy, this much-needed text has excellent sections on core topics.” Deborah Knight, Queen’s University at Kingston “The Philosophy of Film presents a judicious selection of influential writings on the philosophy of film from across the spectrum of current opinion, though weighted toward the increasingly dominant cognitivist paradigm of film experience. The introductory and pedagogic material provided by the editors is uniformly helpful.” Jerrold Levinson, University of Maryland, and Past President, American Society for Aesthetics “Bringing together important writings by prominent philosophers and film theorists, this volume of readings with useful editorial commentary will prove a valuable resource for students of the philosophy of film.” Berys Gaut, University of St Andrews