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Theodor Adorno and Film Theory: The Fingerprint of Spirit
Brian Wall
€ 61.84
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Description for Theodor Adorno and Film Theory: The Fingerprint of Spirit
Hardcover. What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones. Num Pages: 184 pages, biography. BIC Classification: APFA; APFN; JFC. Category: (P) Professional & Vocational. Dimension: 148 x 219 x 16. Weight in Grams: 344.
What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones.
What is the fundamental nature of the filmic object: is it a commodity or is it, can it be, art? What would that mean - can it still matter? This book introduces the thought of Theodor Adorno into film studies to repair the schism that characterizes the field, as historical and cultural modes of analysis displace theoretical and philosophical ones.
Product Details
Format
Hardback
Publication date
2013
Publisher
Palgrave Macmillan
Number of pages
188
Condition
New
Number of Pages
173
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137306135
SKU
V9781137306135
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Brian Wall
Brian Wall is an assistant professor in the Cinema Department at Binhamton University, SUNY.
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