Stock image for illustration purposes only - book cover, edition or condition may vary.
At the Mercy of Their Clothes: Modernism, the Middlebrow, and British Garment Culture
Celia Marshik
€ 87.95
FREE Delivery in Ireland
Description for At the Mercy of Their Clothes: Modernism, the Middlebrow, and British Garment Culture
Hardback. Series: Modernist Latitudes. Num Pages: 264 pages, 24 b&w illustrations. BIC Classification: 1DBK; 2AB; 3JJ; DSBH; DSK; HBJD1; HBLW. Category: (P) Professional & Vocational. Dimension: 238 x 160 x 21. Weight in Grams: 492.
In much of modern fiction, it is the clothes that make the character. Garments embody personal and national histories. They convey wealth, status, aspiration, and morality (or a lack thereof). They suggest where characters have been and where they might be headed, as well as whether or not they are aware of their fate. At the Mercy of Their Clothes explores the agency of fashion in modern literature, its reflection of new relations between people and things, and its embodiment of a rapidly changing society confronted by war and cultural and economic upheaval. In some cases, people need garments to realize themselves. In other cases, the clothes control the person who wears them. Celia Marshik's study combines close readings of modernist and middlebrow works, a history of Britain in the early twentieth century, and the insights of thing theory. She focuses on four distinct categories of modern clothing: the evening gown, the mackintosh, the fancy dress costume, and secondhand attire. In their use of these clothes, we see authors negotiate shifting gender roles, weigh the value of individuality during national conflict, work through mortality, and depict changing class structures. Marshik's dynamic comparisons put Ulysses in conversation with Rebecca, Punch cartoons, articles in Vogue, and letters from consumers, illuminating opinions about specific garments and a widespread anxiety that people were no more than what they wore. Throughout her readings, Marshik emphasizes the persistent animation of clothing-and objectification of individuals-in early-twentieth-century literature and society. She argues that while artists and intellectuals celebrated the ability of modern individuals to remake themselves, a range of literary works and popular publications points to a lingering anxiety about how political, social, and economic conditions continued to constrain the individual.
Product Details
Publisher
Columbia University Press
Format
Hardback
Publication date
2016
Series
Modernist Latitudes
Condition
New
Weight
491g
Number of Pages
264
Place of Publication
New York, United States
ISBN
9780231175043
SKU
V9780231175043
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Celia Marshik
Celia Marshik is professor of English at Stony Brook University. She is the author of British Modernism and Censorship (2006) and the editor of The Cambridge Companion to Modernist Culture (2014).
Reviews for At the Mercy of Their Clothes: Modernism, the Middlebrow, and British Garment Culture
In At the Mercy of Their Clothes, Celia Marshik deftly weaves together high, low, and middlebrow culture, archival and literary sources, fashion studies, social history, and philosophy. The result is a volume that illuminates the overwhelming, charged power of clothes in the modernist era. Marshik tackles the biggest issues: how fashion conveys meaning; how clothes create or dismantle social identity; the role of material culture in art, literature, and history; and finally, how we live both with and through objects. A work of superb, wide-ranging research offering an intriguing new perspective.
Rhonda Garelick, Author of Mademoiselle: Coco Chanel and the Pulse of History This is a marvelous book. At The Mercy of Their Clothes is timely, original, and ranges widely. Marshik dexterously puts current conversations in fashion studies into serious dialogue with the literary-alongside the archival, the visual, the journalistic and the psychological. Moreover, in sewing together under-read middlebrow and popular writers with what we thought we knew about modernism, Marshik lets us hear these garment-things speak.
Jessica Burstein, author of Cold Modernism: Literature, Fashion, Art Marshik convincingly demonstrates that few things are more worrisomely lively than the clothes we wear. More than simply magical talismans or fetish objects, they are potentially hazardous wights that can leech away human subjectivity. The inward turn of modernism, when seen this way, becomes less about a Freudian discovery of inner riches than about an ongoing retrenchment in which the self becomes ever more subject to things-and particularly to those things we wear every day. This book is far more than just a study of clothing... it is a significant rethinking of modernism, combining cultural history and theoretical innovation on almost every page.
Sean Latham, University of Tulsa Clothes are dangerous. Instead of presenting dress as a form of self-expression, Marshik reveals its power to diminish, imperil and undo the modern self. In this highly original and exciting book, she ranges from Ulysses to the Sunday Pictorial, from Mrs. Dalloway to The Tale of Mr. Jeremy Fisher, demonstrating the potentiality of garments across modernist, middlebrow and popular cultures in Britain. A superb achievement.
Faye Hammill, University of Strathclyde, Glasgow
Rhonda Garelick, Author of Mademoiselle: Coco Chanel and the Pulse of History This is a marvelous book. At The Mercy of Their Clothes is timely, original, and ranges widely. Marshik dexterously puts current conversations in fashion studies into serious dialogue with the literary-alongside the archival, the visual, the journalistic and the psychological. Moreover, in sewing together under-read middlebrow and popular writers with what we thought we knew about modernism, Marshik lets us hear these garment-things speak.
Jessica Burstein, author of Cold Modernism: Literature, Fashion, Art Marshik convincingly demonstrates that few things are more worrisomely lively than the clothes we wear. More than simply magical talismans or fetish objects, they are potentially hazardous wights that can leech away human subjectivity. The inward turn of modernism, when seen this way, becomes less about a Freudian discovery of inner riches than about an ongoing retrenchment in which the self becomes ever more subject to things-and particularly to those things we wear every day. This book is far more than just a study of clothing... it is a significant rethinking of modernism, combining cultural history and theoretical innovation on almost every page.
Sean Latham, University of Tulsa Clothes are dangerous. Instead of presenting dress as a form of self-expression, Marshik reveals its power to diminish, imperil and undo the modern self. In this highly original and exciting book, she ranges from Ulysses to the Sunday Pictorial, from Mrs. Dalloway to The Tale of Mr. Jeremy Fisher, demonstrating the potentiality of garments across modernist, middlebrow and popular cultures in Britain. A superb achievement.
Faye Hammill, University of Strathclyde, Glasgow