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Pop Song Piracy
Barry Kernfeld
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Description for Pop Song Piracy
Paperback. Starting with music publishers' efforts to stamp out bootleg compilations of lyric sheets in 1929, this title details nearly a century of disobedient music distribution, from song sheets to MP3s. Num Pages: 312 pages, 11 halftones, 7 line drawings. BIC Classification: 3JJ; JKV; KNTF. Category: (G) General (US: Trade). Dimension: 154 x 227 x 17. Weight in Grams: 390.
The music industry's ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers' efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld's "Pop Song Piracy" details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and '50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts ... Read more
The music industry's ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers' efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld's "Pop Song Piracy" details nearly a century of disobedient music distribution, from song sheets to MP3s. In the 1940s and '50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts ... Read more
Product Details
Format
Paperback
Publication date
2011
Publisher
The University of Chicago Press United States
Number of pages
312
Condition
New
Number of Pages
288
Place of Publication
, United States
ISBN
9780226431833
SKU
V9780226431833
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Barry Kernfeld
Barry Kernfeld is on the staff of the Historical Collections and Labor Archives in the Special Collections Library of the Pennsylvania State University. He is the author of The Story of Fake Books: Bootlegging Songs to Musicians and What to Listen for in Jazz, and he is the editor of The New Grove Dictionary of Jazz.
Reviews for Pop Song Piracy
"Kernfeld's rich and stimulating book makes a significant contribution to current debates over technology, copying, piracy, and the political economy of the music industry. He clarifies not just the history of legal and illegal music copying but also the arguments about these practices and the complicated relationships that have resulted among the law, corporations, entrepreneurs, consumers, and the media." (Simon ... Read more