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Source: Music of the Avant-garde, 1966–1973
Larry (Ed) Austin
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Description for Source: Music of the Avant-garde, 1966–1973
Paperback. Documents crucial changes in performance practice and live electronics, computer music, notation and event scores, theater and installations, intermedia and technology, politics and the social roles of composers and performers, and innovations in the sound of music. Editor(s): Austin, Larry; Kahn, Douglas; Gurusinghe, Nilendra. Num Pages: 396 pages, 68 b/w photographs, 128 line illustrations. BIC Classification: 3JJPK; 3JJPL; AVGC6. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 254 x 203 x 26. Weight in Grams: 988. Music of the Avant-Garde, 1966-1973. 396 pages, illustrations. Editor(s): Austin, Larry; Kahn, Douglas; Gurusinghe, Nilendra. Documents crucial changes in performance practice and live electronics, computer music, notation and event scores, theater and installations, intermedia and technology, politics and the social roles of composers and performers, and innovations in the sound of music. Cateogry: (UP) Postgraduate, Research & Scholarly. BIC Classification: 3JJPK; 3JJPL; AVGC6. Dimension: 254 x 203 x 26. Weight: 950.
This journal "Source: Music of the Avant-garde" was and remains a seminal source for materials on the heyday of experimental music and arts. Conceived in 1966 and published to 1973, it included some of the most important composers and artists of the time: John Cage, Harry Partch, David Tudor, Morton Feldman, Robert Ashley, Pauline Oliveros, Dick Higgins, Nam June Paik, Steve Reich, and many others. A pathbreaking publication, "Source" documented crucial changes in performance practice and live electronics, computer music, notation and event scores, theater and installations, intermedia and technology, politics and the social roles of composers and performers, and ... Read more
This journal "Source: Music of the Avant-garde" was and remains a seminal source for materials on the heyday of experimental music and arts. Conceived in 1966 and published to 1973, it included some of the most important composers and artists of the time: John Cage, Harry Partch, David Tudor, Morton Feldman, Robert Ashley, Pauline Oliveros, Dick Higgins, Nam June Paik, Steve Reich, and many others. A pathbreaking publication, "Source" documented crucial changes in performance practice and live electronics, computer music, notation and event scores, theater and installations, intermedia and technology, politics and the social roles of composers and performers, and ... Read more
Product Details
Publisher
University of California Press
Format
Paperback
Publication date
2011
Condition
New
Weight
987g
Number of Pages
396
Place of Publication
Berkerley, United States
ISBN
9780520267459
SKU
V9780520267459
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-16
About Larry (Ed) Austin
Larry Austin was the founding editor of Source and is Emeritus Professor of Music at the University of North Texas. Douglas Kahn is the author of Noise Water, Meat: A History of Sound in the Arts, and a Research Professor at the National Institute for Experimental Arts, University of New South Wales, Sydney.
Reviews for Source: Music of the Avant-garde, 1966–1973
"Many unexpected delights." Gramophone "Source was there to document all the crazy changes in ... art-music that we're always trying to one-up one another in our purported 'vast knowledge of' here in the TMT office. Score." Tiny Mix Tapes "Fascinating... A healthy collection of prose descriptions trying to account for what was going on at the time."
Stephen Smoliar ... Read more
Stephen Smoliar ... Read more