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Art and Visual Perception, Second Edition: A Psychology of the Creative Eye
Rudolf Arnheim
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Description for Art and Visual Perception, Second Edition: A Psychology of the Creative Eye
Paperback. Num Pages: 518 pages, 281 b/w illustrations. BIC Classification: ABA. Category: (G) General (US: Trade). Dimension: 227 x 152 x 34. Weight in Grams: 738. A Psychology of the Creative Eye. 518 pages, 281 illustrations. Cateogry: (G) General (US: Trade). BIC Classification: ABA. Dimension: 227 x 152 x 34. Weight: 734.
Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.
Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.
Product Details
Publisher
University of California Press
Format
Paperback
Publication date
2004
Condition
New
Number of Pages
528
Place of Publication
Berkerley, United States
ISBN
9780520243835
SKU
V9780520243835
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Rudolf Arnheim
Rudolf Arnheim is Professor Emeritus of the Psychology of Art at Harvard University. His books include Film as Art (California, 1957), Visual Thinking (1969), The Dynamics of Architectural Form (California, 1977), The Split and the Structure: Twenty-eight Essays (California, 1996).
Reviews for Art and Visual Perception, Second Edition: A Psychology of the Creative Eye
"In The Ego and the Id Freud argued that a cogent thought process, to say nothing of conscious intellectual work, could not exist amidst the unruliness of visual experience. Over the last half century in a sequence of landmark books, Rudolf Arnheim has not only shown us how wrong that is, he has parsed the grammar of form with uncanny ... Read more