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Women, the Arts and Globalization
Marsha Meskimmon
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Description for Women, the Arts and Globalization
Hardcover.
Women, the arts and globalization: Eccentric experience is the first anthology to bring transnational feminist theory and criticism together with women’s art practices to discuss the connections between aesthetics, gender and identity in a global world. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad ... Read more
Women, the arts and globalization: Eccentric experience is the first anthology to bring transnational feminist theory and criticism together with women’s art practices to discuss the connections between aesthetics, gender and identity in a global world. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad ... Read more
Product Details
Format
Hardback
Publication date
2013
Publisher
Manchester University Press United Kingdom
Number of pages
320
Condition
New
Number of Pages
288
Place of Publication
Manchester, United Kingdom
ISBN
9780719088759
SKU
V9780719088759
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Marsha Meskimmon
Marsha Meskimmon is Professor of Modern and Contemporary Art History and Theory at Loughborough University|Dorothy C. Rowe is Senior Lecturer in History of Art at the University of Bristol -- .
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