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Queer Performance and Contemporary Ireland: Dissent and Disorientation
Fintan Walsh
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Description for Queer Performance and Contemporary Ireland: Dissent and Disorientation
Hardback. This book examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015. Series: Contemporary Performance Interactions. Num Pages: 208 pages, 14 black & white illustrations. BIC Classification: 1DBR; ANF; JFSK. Category: (P) Professional & Vocational. Dimension: 222 x 141. Weight in Grams: 454.
This book examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
This book examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
Product Details
Publisher
Palgrave Macmillan United Kingdom
Number of pages
208
Format
Hardback
Publication date
2015
Series
Contemporary Performance Interactions
Condition
New
Weight
375g
Number of Pages
189
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137534491
SKU
V9781137534491
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Fintan Walsh
Fintan Walsh is Senior Lecturer in Theatre and Performance Studies in the Department of English and Humanities at Birkbeck, University of London, UK, where he is Co-Director of the Centre for Contemporary Theatre. Recent publications include Theatre & Therapy (2013), Male Trouble: Masculinity and the Performance of Crisis (2010), and the edited collection 'That Was Us': Contemporary Irish Theatre and ... Read more
Reviews for Queer Performance and Contemporary Ireland: Dissent and Disorientation
This book offers not only a riveting account of its many forms in Ireland, but acts as a model for reading queer performance transnationally. As such, it is valuable beyond the context of Irish theatre to wider studies of queer performance and queer studies in general. (Alyson Campbell, Contemporary Theatre Review, Vol. 27 (1), 2017) ... Read more