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How Shakespeare Put Politics on the Stage: Power and Succession in the History Plays
Peter Lake
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Description for How Shakespeare Put Politics on the Stage: Power and Succession in the History Plays
Hardback. A masterful, highly engaging analysis of how Shakespeare's plays intersected with the politics and culture of Elizabethan England Num Pages: 688 pages. BIC Classification: 1DBKE; 2AB; 3JB; 3JD; DSBD; DSGS; HBJD1; HBLH. Category: (G) General (US: Trade). Dimension: 169 x 242 x 59. Weight in Grams: 1208.
A masterful, highly engaging analysis of how Shakespeare's plays intersected with the politics and culture of Elizabethan England With an ageing, childless monarch, lingering divisions due to the Reformation, and the threat of foreign enemies, Shakespeare's England was fraught with unparalleled anxiety and complicated problems. In this monumental work, Peter Lake reveals, more than any previous critic, the extent to which Shakespeare's plays speak to the depth and sophistication of Elizabethan political culture and the Elizabethan imagination. Lake reveals the complex ways in which Shakespeare's major plays engaged with the events of his day, particularly regarding the uncertain royal succession, theological and doctrinal debates, and virtue and virtu in politics. Through his plays, Lake demonstrates, Shakespeare was boldly in conversation with his audience about a range of contemporary issues. This remarkable literary and historical analysis pulls the curtain back on what Shakespeare was really telling his audience and what his plays tell us today about the times in which they were written.
Product Details
Publisher
Yale University Press
Format
Hardback
Publication date
2016
Condition
New
Weight
1207g
Number of Pages
688
Place of Publication
, United States
ISBN
9780300222715
SKU
V9780300222715
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Peter Lake
Peter Lake is university distinguished professor of history, professor of the history of Christianity, and Martha Rivers Ingram Chair of History at Vanderbilt University. He divides his time between Nashville, TN, and London.
Reviews for How Shakespeare Put Politics on the Stage: Power and Succession in the History Plays
Subtle and insightful readings . . . The high point of Mr. Lake's book is his masterly analysis of Henry V. . . . Anyone interested in Shakespeare should make the effort to read this book. Even someone intimately familiar with the plays will discover much that is new, from details of historical background to interpretations of specific passages. -Paul A. Cantor, Wall Street Journal In this huge chronologically ordered study, Peter Lake coalesces the English Histories with Shakespeare's Roman plays to argue that the history plays reflect a distinct trace left by the real political manoeuvrings of the period, and provides a wealth of historical information to underpin his case. -Rene Weis, BBC History Well deserving of a space on readers' shelves -Marisa R. Cull, American Historical Review 'An immensely learned and deeply insightful monograph disguised as a page-turner. Lake offers the most lucid and believable account to date of, as the title promises, how Shakespeare put politics on the stage. Required reading not only for all Shakespeareans but for anyone interested in how literature speaks to and is shaped by its historical moment.' - Debora Shuger, author of Political Theologies in Shakespeare's England 'Even as Shakespeare's histories illuminate his times, his times cast light upon those plays. Peter Lake, whose grasp of the Elizabethan political scene is exceptional, illuminates both Shakespeare's world and works. Historians and literary scholars alike will find this a deeply engaging and comprehensive study.'-James Shapiro, author of The Year of Lear: Shakespeare in 1606 'Peter Lake has written an astonishing book, even for Peter Lake. Learned, lively, provocative and often surprising, How Shakespeare Put Politics on the Stage is a brilliant account of Elizabethan politics and Shakespeare's extraordinary mediation of them. It is a wonderfully sensitive and supple work of literary criticism as well as a deeply engaged account of how Shakespeare's England (which only retrospectively became his ) thought about the most urgent political issues of the day.' - David Scott Kastan, author of A Will to Believe: Shakespeare and Religion