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The Gentleman´s Daughter: Women´s Lives in Georgian England
Amanda Vickery
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Description for The Gentleman´s Daughter: Women´s Lives in Georgian England
Paperback. Based on a close examination of letters, diaries and account books, this study offers an insight into the intimate and everyday lives of genteel women and transforms our understanding of the position of women in this period. Series: Yale Nota Bene. Num Pages: 448 pages, 66 b&w illustrations. BIC Classification: 1DBKE; 3JF; HBJD1; HBLL; HBTB; JFSJ1. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 194 x 129 x 28. Weight in Grams: 364.
What was the life of an eighteenth-century British genteel woman like? In this lively and controversial book, Amanda Vickery invokes women’s own accounts of their intimate and their public lives to argue that in the eighteenth and early nineteenth centuries the scope of female experience did not diminish—in fact, quite the reverse. Refuting the common understanding that in Georgian times the daughters of merchants, the wives of lawyers, and the sisters of gentlemen lost female freedoms and retreated into their homes, Vickery shows that these women experienced expanding social and intellectual horizons. As they embraced a world far beyond the boundaries of their own parishes through their tireless writing and ravenous reading, genteel women also enjoyed an array of emerging new public arenas—assembly rooms, concert series, theater seasons, circulating libraries, day-time lectures, urban walks, and pleasure gardens.
Based on the letters, diaries, and account books of over one hundred women from commercial, professional, and gentry families, this book transforms our understanding of the position of women in Georgian England. In their own words, they tell of their sometimes humorous, sometimes moving experiences and desires, and of their many roles, including kinswoman, wife, mother, housekeeper, consumer, hostess, and member of polite society. By the nineteenth century, family duties continued to dominate women’s lives, yet, Vickery contends, the public profile of privileged women had reached unprecedented heights.
Based on the letters, diaries, and account books of over one hundred women from commercial, professional, and gentry families, this book transforms our understanding of the position of women in Georgian England. In their own words, they tell of their sometimes humorous, sometimes moving experiences and desires, and of their many roles, including kinswoman, wife, mother, housekeeper, consumer, hostess, and member of polite society. By the nineteenth century, family duties continued to dominate women’s lives, yet, Vickery contends, the public profile of privileged women had reached unprecedented heights.
Product Details
Publisher
Yale University Press
Number of pages
448
Format
Paperback
Publication date
2003
Series
Yale Nota Bene
Condition
New
Weight
365g
Number of Pages
448
Place of Publication
, United States
ISBN
9780300102222
SKU
V9780300102222
Shipping Time
Usually ships in 4 to 8 working days
Ref
99-3
About Amanda Vickery
Amanda Vickery is lecturer in modern British women’s history at Royal Hollowly College, University of London.
Reviews for The Gentleman´s Daughter: Women´s Lives in Georgian England
"The most important thing in English feminist history in the last ten years." Roy Porter; "The Gentleman's Daughter is the most important work of social history since Lawrence Stone's Family, Sex and Marriage. From now on, any historian writing about 18th-century women will have to address the arguments in Vickery's book... It is the first book to bring out into the open the debate about separate spheres. It succeeds on two levels, first as an academic argument of the highest order, and second as a fascinating and enjoyable read. Serious history is rarely this fun." Amanda Foreman, The Times; "Innovative, expertly researched and luminous in style." Linda Colley, London Review of Books; "Amanda Vickery's new history of women in Georgian England offers a revolutionary reinterpretation of the accepted script, both an academic triumph and a spell-binding read" Julie Wheelwright, The Independent