Daniel Beer's The House of the Dead: Siberian exile under the Tsars (Allen Lane) is both a gripping read and an extraordinary feat of scholarly analysis, delivered with the scope and empathy of a novelist - appositely, as both Dostoevsky and Chekhov are part of Siberia's story. The microhistories as well as the grand narrative illuminate a terrible swathe of ... Read moreRussian (and Polish) history.
Roy Foster
TLS
The wretched existence of those banished to Russia's freezing expanses east of the Urals is vividly described in this excellent study... if you want to read the most remarkable recent study of Siberian exile under the Tsars, [read] Beer
Paul Dukes
History Today
Masterful, gripping and deeply researched. It's filled with astonishing, vivid and heartbreaking stories of crime and punishment, of redemption, love and terrifying violence. It has an amazing cast of despots, murderers, whores and heroes, and takes place in godforsaken mines, Arctic villages and beautiful taiga. It's a wonderful read.
Simon Sebag Montefiore
BBC History Magazine
Impeccably researched, beautifully written
Donald Rayfield
Guardian
An eye-opening, haunting work that delineates how a vast imperial penal system crumbled from its rotten core
Kirkus Reviews
Daniel Beer's The House of the Dead is a detailed, rich and powerful account of the inhumane system of imprisonment and exile in Tsarist Siberia that shows how little changed between Tsarism and Stalinism. Both were built on the bones of ordinary Russians
Neil Robinson
Irish Examiner
[This] masterly new history of the tsarist exile system... makes a compelling case for placing Siberia right at the centre of 19th-century Russian-and, indeed, European-history. But for students of Soviet and even post-Soviet Russia it holds lessons, too. Many of the country's modern pathologies can be traced back to this grand tsarist experiment-to its tensions, its traumas and its abject failures.
Economist
If the scale of the Siberian penal exile inspires a sense of dreadful awe, then the detail is tragic, heart-breaking and marked with individual horror. The vast, Steppe-like sweep of Daniel Beer's work is impressive, sustaining a narrative that ranges from 1801 to 1917, and involves more than one million exiled souls into an area that is one and a half times bigger than the continent of Europe ... An extraordinary, powerful and important story
Hugh MacDonald
Herald
Although Beer's subject is grim, his writing is not. Grace notes of metaphor elevate The House of the Dead above standard histories; it is also ground-breaking and moving
Oliver Bullough
The Telegraph
In many ways Siberia truly was a House of the Dead - as Daniel Beer, who borrows the title of Fyodor Dostoevsky's prison novel for his masterful new study, recounts in horrific and gripping detail. Because of its far greater scale and brutality, the Soviet gulag has eclipsed the memory of the Tsarist penal system in the popular imagination. Beer redresses that imbalance by bringing the voices of the million-plus victims of katorga vividly to life.
Owen Matthews
Spectator
An absolutely fascinating book, rich in fact and anecdote.
David Aaronovitch
The Times
A splendid example of academic scholarship for a public audience. Yet even though he is an impressively calm and sober narrator, the injustices and atrocities pile up on every page.
Dominic Sandbrook
The Sunday Times
Excellent... an expansive work that neatly manages to combine a broad history of the Romanovs' Gulag with heart-rending tales of the plights of individual prisoners
Douglas Smith
Literary Review
Show Less