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Postcolonial Artists and Global Aesthetics
Akinwumi Adesokan
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Description for Postcolonial Artists and Global Aesthetics
Paperback. Discusses the literary and artistic effects of globalisation Series: African Expressive Cultures. Num Pages: 252 pages, 8 b&w illus. BIC Classification: AB; DSBH5; JFC. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 20. Weight in Grams: 388.
What happens when social and political processes such as globalization shape cultural production? Drawing on a range of writers and filmmakers from Africa and elsewhere, Akin Adesokan explores the forces at work in the production and circulation of culture in a globalized world. He tackles problems such as artistic representation in the era of decolonization, the uneven development of aesthetics across the world, and the impact of location and commodity culture on genres, with a distinctive approach that exposes the global processes transforming cultural forms.
Product Details
Format
Paperback
Publication date
2011
Publisher
Indiana University Press United States
Number of pages
252
Condition
New
Series
African Expressive Cultures
Number of Pages
252
Place of Publication
Bloomington, IN, United States
ISBN
9780253223456
SKU
V9780253223456
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About Akinwumi Adesokan
Akin Adesokan is Assistant Professor of Comparative Literature at Indiana University Bloomington and author of the novel Roots in the Sky. His writings have appeared in Screen, Textual Practice, Chimurenga, and Research in African Literatures.
Reviews for Postcolonial Artists and Global Aesthetics
Adesokan offers a successful, rigorous example of a project that demonstrates the political urgency and conceptual depth of African artists, as well as artists' investment in mercurial global political networks that stretch across generations and continents.32 Spring 2013
NKA :Jrnl of Contemporary African Art
Postcolonial Artists and Global Aesthetics is very much a book for postcolonial studies scholars to think with. . . . Adesokan provides a systematic way of thinking about the deep structural links that unite globalization and decolonization, as world-historical social formations, in the work of artists from what was once called the 'Third World.' Borrowing from network theory, Adesokan demonstrates how we might create new cognitive maps of the postcolonial 'Third World' based on links and ties across geographic space and in relationship to the metropoles, an approach that justifies his own pairing of African, Caribbean, and South Asian artists and thinkers.
African Studies Review
Scholars of African visual culture will be well served by Akin Adesokan's book, which offers a model for interpreting artworks within the many cultural and economic contexts in which they function. He trains most of his keen analysis on film and written literature, and many of his theoretical interventions will prove salient to the most urgent current discourses in the history and criticism of African art in many media and genres.
Journal of Contemporary African Art
Adesokan's erudite study is rich in material and analysis, and the author navigates distinct historical, cultural, and theoretical landscapes with ease.Vol. 43, No. 3
Research in African Literatures
Highly recommended.
Choice
General readers, researchers, and students will learn from this publication that decolonization and globalization are social ingredients for artists to create a story, and that its ethno-nationalistic and multicontinental perspectives could be the sentinel of eliminating isolated thinking and non-exposure to international artistic freedom of expression.Summer 2015
Africa Today
NKA :Jrnl of Contemporary African Art
Postcolonial Artists and Global Aesthetics is very much a book for postcolonial studies scholars to think with. . . . Adesokan provides a systematic way of thinking about the deep structural links that unite globalization and decolonization, as world-historical social formations, in the work of artists from what was once called the 'Third World.' Borrowing from network theory, Adesokan demonstrates how we might create new cognitive maps of the postcolonial 'Third World' based on links and ties across geographic space and in relationship to the metropoles, an approach that justifies his own pairing of African, Caribbean, and South Asian artists and thinkers.
African Studies Review
Scholars of African visual culture will be well served by Akin Adesokan's book, which offers a model for interpreting artworks within the many cultural and economic contexts in which they function. He trains most of his keen analysis on film and written literature, and many of his theoretical interventions will prove salient to the most urgent current discourses in the history and criticism of African art in many media and genres.
Journal of Contemporary African Art
Adesokan's erudite study is rich in material and analysis, and the author navigates distinct historical, cultural, and theoretical landscapes with ease.Vol. 43, No. 3
Research in African Literatures
Highly recommended.
Choice
General readers, researchers, and students will learn from this publication that decolonization and globalization are social ingredients for artists to create a story, and that its ethno-nationalistic and multicontinental perspectives could be the sentinel of eliminating isolated thinking and non-exposure to international artistic freedom of expression.Summer 2015
Africa Today