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Highlife Saturday Night: Popular Music and Social Change in Urban Ghana
Nathan Plageman
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Description for Highlife Saturday Night: Popular Music and Social Change in Urban Ghana
Paperback. A penetrating look at musical leisure during a time of social, political, and cultural change in Ghana Series: African Expressive Cultures. Num Pages: 336 pages, 32 b&w illus., 22 audio. BIC Classification: 1HFDH; AV; JFC; JHM. Category: (P) Professional & Vocational. Dimension: 229 x 154 x 20. Weight in Grams: 458.
Highlife Saturday Night captures the vibrancy of Saturday nights in Ghana—when musicians took to the stage and dancers took to the floor—in this penetrating look at musical leisure during a time of social, political, and cultural change. Framing dance band "highlife" music as a central medium through which Ghanaians negotiated gendered and generational social relations, Nate Plageman shows how popular music was central to the rhythm of daily life in a West African nation. He traces the history of highlife in urban Ghana during much of the 20th century and documents a range of figures that fueled the music's emergence, evolution, and explosive popularity. This book is generously enhanced by audiovisual material on the Ethnomusicology Multimedia website.
Product Details
Format
Paperback
Publication date
2012
Publisher
Indiana University Press United States
Number of pages
336
Condition
New
Series
African Expressive Cultures
Number of Pages
336
Place of Publication
Bloomington, IN, United States
ISBN
9780253007292
SKU
V9780253007292
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-50
About Nathan Plageman
Nate Plageman is Assistant Professor of History at Wake Forest University.
Reviews for Highlife Saturday Night: Popular Music and Social Change in Urban Ghana
Highlife Saturday Night is an excellent read for scholars and students interested in the complex dynamics of social and cultural change in urbanizing 20th-century West Africa, as well as for those focused on the performative nature of identities and popular culture more broadly. The subject of "Saturday Night" may also appeal to general readers curious about the lives and everyday experiences of ordinary West Africans during this intense time of political, economic, and cultural transformation.
Ghana Studies
Highlife Saturday Night is an impressive monograph that should remind scholars of the porous nature of disciplinary boundaries, and reaffirm the important perspective symbolic-aesthetic forms like music offer the humanities and social sciences, and in this case, the construction of West African social history.
Journal of West African History
This book is well-written and will appeal to those interested in Ghanaian urban history and highlife music, as well as those wanting to know more about youth and popular culture in general. The analysis of the history and organization of the social and literary clubs is some of the most insightful in the book. Plageman also excels in his portrayal of highlife music, musicians, and middle-class men. This book makes significant contributions to the history of highlife music and successfully weaves highlife musical culture into the wider social and political net of urban Ghana.
American Historical Review
Dr. Plageman has written an excellent book. . . . [T]his publication does more than merely document the features of highlife music in urban Ghana: it also investigates the material basis and the political import of this genre of music. . . . As a document of urban history, this book is brilliant. It is a major addition to the small collection of books on the history of urban Ghana. . . . [I]t significantly extends existing work because it takes an urban-wide view and substantially analyses youth culture in terms of its political, historical, social and even economic dynamics.
African Review of Economics and Finance
Ghana Studies
Highlife Saturday Night is an impressive monograph that should remind scholars of the porous nature of disciplinary boundaries, and reaffirm the important perspective symbolic-aesthetic forms like music offer the humanities and social sciences, and in this case, the construction of West African social history.
Journal of West African History
This book is well-written and will appeal to those interested in Ghanaian urban history and highlife music, as well as those wanting to know more about youth and popular culture in general. The analysis of the history and organization of the social and literary clubs is some of the most insightful in the book. Plageman also excels in his portrayal of highlife music, musicians, and middle-class men. This book makes significant contributions to the history of highlife music and successfully weaves highlife musical culture into the wider social and political net of urban Ghana.
American Historical Review
Dr. Plageman has written an excellent book. . . . [T]his publication does more than merely document the features of highlife music in urban Ghana: it also investigates the material basis and the political import of this genre of music. . . . As a document of urban history, this book is brilliant. It is a major addition to the small collection of books on the history of urban Ghana. . . . [I]t significantly extends existing work because it takes an urban-wide view and substantially analyses youth culture in terms of its political, historical, social and even economic dynamics.
African Review of Economics and Finance