
Morocco Bound: Disorienting America’s Maghreb, from Casablanca to the Marrakech Express
Brian T. Edwards
Edwards reads a broad range of texts to recuperate the disorienting possibilities for rethinking American empire. Examining work by William Burroughs, Jane Bowles, Ernie Pyle, A. J. Liebling, Jane Kramer, Alfred Hitchcock, Clifford Geertz, James Michener, Ornette Coleman, General George S. Patton, and others, he puts American texts in conversation with an archive of Maghrebi responses. Whether considering Warner Brothers’ marketing of the movie Casablanca in 1942, journalistic representations of Tangier as a city of excess and queerness, Paul Bowles’s collaboration with the Moroccan artist Mohammed Mrabet, the hippie communities in and around Marrakech in the 1960s and early 1970s, or the writings of young American anthropologists working nearby at the same time, Edwards illuminates the circulation of American texts, their relationship to Maghrebi history, and the ways they might be read so as to reimagine the role of American culture in the world.
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About Brian T. Edwards
Reviews for Morocco Bound: Disorienting America’s Maghreb, from Casablanca to the Marrakech Express
Melani McAlister
Journal of American History
"Morocco Bound offers a compelling account both of the Maghreb as an important contact zone in the formation of the United States as a global power and of American orientalism as a formative component in American foreign relations. . . . [T]he power here lies in detailed cultural historiography, and some of the text’s most compelling moments reside in the connective tissue of Edwards’s historicist argumentation."
Margaux Cowden
GLQ
“Morocco Bound is a powerful meditation on the question of why the circulation of cultural representations matters…. Given its important critical interventions, Morocco Bound should be a required text for a broad range of readers and scholars in the fields of American studies, postcolonialism, comparative literature, and Middle Eastern Studies.”
Ali Behdad
Comparative Literature
"Morocco Bound is an exemplary work of postcolonial American studies scholarship, one acutely sensitive to the importance of the specificities of colonial and imperial relations in the Maghreb. Yet Morocco Bound is no predictable ideological study. Edwards constantly foregrounds the historical complexities of encounter in each text he analyzes while simultaneously presenting nuanced close readings. In the process, he challenges familiar theoretical paradigms and presents us with new possibilities."
Malini Johar Schueller
American Quarterly
"Not only does Edwards’s book propose a methodology that importantly indicates the material differences between text and context, but it also breaks new scholarly ground in presenting a new area of study for transnational American studies: the orientalist construction of the Maghreb. In doing so, Morocco Bound represents a timely intervention into the epistemological and material violence of the present moment and promises to be a study that will be returned to long after the present conflict (hopefully) has passed."
Christopher Breu
Comparative Studies of South Asia, Africa and the Middle East
"Throughout this book it is clear that Edwards views dialogue as a modest corrective to Orientalist tendencies, often pointing out moments when opportunities for exchange were missed. Edwards’s own work is consciously collaborative and dialogic; he acknowledges his debt to Moroccan colleagues. His own experiences in Morocco, the ground on which this book is built, constitutes yet another chapter in the American-Moroccan encounter at an historical moment when the need for dialogue and conversation across the gaping chasm separating the United States and the Arab world is as dire as ever."
Allen Hibbard
Comparative Literature Studies