"[In this volume] the reader witnesses the hesitant, tension-filled process by which two individuals come together - individuals who could scarcely have approached each other in any other way than through the mediation of this literary form. True, they both repeatedly affirm their desire for personal meetings and face-to-face conversation. But the continued series of postponed and prevented visits (Adorno came to Paris, briefly, only twice) does not simply reflect adverse circumstances; it also bespeaks an unavowed preference for the obliqueness of letter writing. One gets the impression that the constraints of this medium protect the withdrawn Benjamin from the uncertainties and importunities of direct contact, and at the same time grant the austere Adorno greater freedom of critical expression." Jurgen Habermas, Die Zeit "Where Benjamin's cycles reveal the deliberately closed and enigmatic self-defensive nature of his personality, Adorno's letters are among the most remarkable things he himself ever wrote. Those letters document one of the most painful moments in Benjamin's life. Not the least interest of this correspondence is the questionable light in which it throws both of its protagonists: Benjamin for the riddle-like nature of his personality and the withdrawals and strategic or tactical evasions, so often evident here; and Adorno for the often self-important way in which he stages the flights of his own intelligence. The extraordinary and unique qualities of this correspondence stem from the confrontation in stages between two of the most intense and energetic minds of the century" Fredric Jameson, Duke University "These are complex, challenging texts that highlight the intellectual achievements of these two important thinkers. In discussions of such central concepts as the dialectical image, the problem of mediation between socioeconomic formations and cultural products, and especially the interrelation of new media technologies and aesthetics, these letters offer some of the most penetrating cultural theory written this century in any language." Michael Jennings, Princeton University