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Paradoxical Japaneseness
Andrew M. Dorman
€ 142.96
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Description for Paradoxical Japaneseness
Hardback. Num Pages: 224 pages, 10 black & white illustrations, biography. BIC Classification: 1FPJ; 3JMG; APFA; JFD; JHMC; KNTC. Category: (G) General (US: Trade). Dimension: 210 x 148. Weight in Grams: 442.
This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned ... Read more
This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned ... Read more
Product Details
Format
Hardback
Publication date
2016
Publisher
Palgrave Macmillan United Kingdom
Number of pages
224
Condition
New
Number of Pages
224
Place of Publication
Basingstoke, United Kingdom
ISBN
9781137551597
SKU
V9781137551597
Shipping Time
Usually ships in 15 to 20 working days
Ref
99-15
About Andrew M. Dorman
Andrew Dorman is a freelance writer and English language tutor who received a PhD in Film Studies from the University of St Andrews, UK. He has taught film studies at the universities of St Andrews and Edinburgh, and writes on a range of subjects including Japanese cinema and sexuality in film.
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