.png){kind=logo}
20%OFF
Stock image for illustration purposes only - book cover, edition or condition may vary.
Disorienting Fiction: The Autoethnographic Work of Nineteenth-Century British Novels
James Buzard
€ 53.51
€ 42.58
FREE Delivery in Ireland
Description for Disorienting Fiction: The Autoethnographic Work of Nineteenth-Century British Novels
Paperback. Offers an account of the nineteenth-century British novel and its role in the historical process that gave rise to modern anthropology's concept of culture. This book shows how English Victorian novels appropriated an autoethnographic mode of fiction developed in the nineteenth century. Num Pages: 336 pages, 2 tables. BIC Classification: 2AB; DSBF; DSK. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 234 x 156 x 19. Weight in Grams: 464.
This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Bronte, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction ... Read more
This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Bronte, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction ... Read more
Product Details
Format
Paperback
Publication date
2005
Publisher
Princeton University Press United States
Number of pages
336
Condition
New
Number of Pages
336
Place of Publication
New Jersey, United States
ISBN
9780691095554
SKU
V9780691095554
Shipping Time
Usually ships in 7 to 11 working days
Ref
99-1
About James Buzard
James Buzard teaches Literature at the Massachusetts Institute of Technology and is the author of "The Beaten Track: European Tourism, Literature, and the Ways to "Culture," 1800-1918", as well as of numerous essays on nineteenth- and twentieth-century British literature and culture. He is also coeditor of a forthcoming collection of essays entitled "Victorian Prism: Refractions of the Crystal Palace".
Reviews for Disorienting Fiction: The Autoethnographic Work of Nineteenth-Century British Novels
"Most exciting to a student of the novel ... is the book's fresh interpretation of the genre's history in the nineteenth century, the explanation of many of its salient formal features as parts of a cultural project heretofore unnoticed."
Catherine Gallagher, Novel
Catherine Gallagher, Novel